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This volume shows that the notions of embodied or situated cognition, which have transformed the scientific study of intelligence have the potential to reorient cultural studies as well. The essays adapt and amplify embodied cognition in such different fields as art history, literature, history of science, religious studies, philosophy, biology, and cognitive science. The topics include the biological genesis of teleology, the dependence of meaning in signs upon biological embodiment, the notion of image schema and the concept of force in cognitive semantics, pictorial self-portraiture as a means to study self-perception, the difference between reading aloud and silent reading as a way to make sense of literary texts, intermodal (kinesthetic) understanding of art, psychosomatic medicine, laughter as a medical and ethical phenomenon, the valuation of laughter and the body in religion, and how embodied cognition revives and extends earlier attempts to develop a philosophical anthropology. (Series A)
Cassirer's conception of culture & theory of symbolism anticipated much of later cultural theory. The essays in this volume explore aspects of his thinking & demonstrate the influence that it had on later scholarship.
The symbolic form has long been considered by many who knew it in the original German as the greatest of Ernst Cassirer's works. Into it he poured all the resources of his vast learning about language, myth, religion, art, and science- the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to his experience.
The Symbolic Forms has long been considered the greatest of Cassirer's works. Into it he poured all the resources of his vast learning about language and myth, religion, art, and science--the various creative symbolizing activities and constructions through which man has expressed himself and given intelligible objective form to this experience. "These three volumes alone (apart from Cassirer's other papers and books) make an outstanding contribution to epistemology and to the human power of abstraction. It is rather as if 'The Golden Bough' had been written in philosophical rather than in historical terms."--F.I.G. Rawlins, Nature
Ernst Cassirer was professor in Göteborg from 1935 to 1941. This episode of his life is little known, even though the Swedish years were very important. During that time of political turmoil he wrote several books and most of the papers that are now being published posthumously. This book - based on recently discovered sources - gives a detailed picture of Cassirer's life and work in Sweden. It explains how he was invited to Sweden and why he became a Swedish citizen. The analyses show how Cassirer's exchange with Swedish philosophers influenced his work and shed new light on his development during exile. This study also contains an introduction by John Michael Krois, a chronology of the Swedish years and a description of the long lost manuscript of Das Erkenntnisproblem, volume four.
This systematic introduction to Ernst Cassirer's philosophy of symbolic forms demonstrates how his approach transforms the project of modernity in accord with the limitations of the modern conception of rationality. At the same time, this book functions as an introduction to Cassirer's thought.
In 1933 eminent philosopher Ernst Cassirer (1874 - 1945) fled Nazi Germany for the United States. His fame in Europe having already been established through a public debate with Martin Heidegger in 1929, Cassirer would go on to become a noteworthy influence on American culture. His most important early writings focused on the symbol and symbolic...
"In sum, this original inquiry uniquely respects the cognitional diversity that distinguishes the revelatory poetic spirit from the discursively speculative spirit, even as it demonstrates their deep affinities and mutual implications in the life of the imaginative intelligence."--BOOK JACKET.
Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger?s philosophy for art history and visual culture in the twenty-first century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger?s work in order to foster compelling new accounts of works of art and their historicity. This collected book of essays also shows how studies in the history and theory of the visual enrich our understanding of Heidegger?s philosophy. In addition to examining the philosopher's lively collaborations with art historians, and how his longstanding ...