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A vivid portrayal of life in Pompeii's sister city, this book includes a detailed description of the ancient Villa dei Papiri, on which the present Getty Museum in Malibu is modeled. This vivid re-creation of life in Pompeii's sister city includes a detailed description of the ancient Villa dei Papiri, on which the present Getty Museum in Malibu is modeled. Library Journal called the first edition "a fascinating book. The daily life of the Romans, rich and poor, has been wonderfully re-created." And the New York Times pronounced it "exciting reading . . . a spirited guide."
'Hiller offers extraordinary resilience and moments of immense, liberatory tenderness. [...] This is a harrowing book, yes, but ultimately, with its invitation to “billow forth the wrecks we hold”, with its emphasis on resistance and joy, it is a staggeringly beautiful piece of life-affirming work.' Stephanie Sy-Quia, The Poetry Review
Reconstructs the day in 79 A.D. when the town of Herculaneum was destroyed by the eruption of Mount Vesuvius and discusses the archaeological excavations of that town made in recent centuries.
Investigates unusual spaces in Italy, ranging from a honeycombed and mazelike series of rooms and stairs for midgets, to the dining chambers of a Pompeiian estate, to a half-buried sphere that serves as a place for ice storage. Ray reveals these quixotic spaces through constructed drawings, collaged photographs, and insightful text.
In a new account of the relationship between Margaret Fuller and Ralph Waldo Emerson, Christina Zwarg recreates a feminist conversation that has gone unheard. In Zwarg's view, the intimate, yet restrained, letters between the two writers are most significant in confronting the challenges posed by gender and desire. Focusing on their exploration of Charles Fourier's utopianism and particularly his concept of "passionate attraction," Zwarg offers the only detailed reading of Emerson's letters to Fuller.
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Barry Moser's extraordinarily detailed and evocative relief engravings decorate this translation of Pliny the Younger's two famous letters to Tacitus about the eruption of Mount Vesuvius in A.D. 79 and the death of his uncle, Pliny the Elder. Printed in black and white, the engravings are works of art that illustrate various descriptions in the letters. The text includes a brief description of the eruption of the volcano, concise biographies of Tacitus and of both Plinys, and a summary of how the texts of the two letters have survived until today.
This second volume publishes all of Margaret Fuller's letters written from 1839 to 1841—the years in which she first began to achieve fame as a writer and an editor. Addressed to such eminent figures as Ralph Waldo Emerson, Henry David Thoreau, William H. Channing, Elizabeth Peabody, and Frederic H. hedge as well as to Fuller's family and intimate friends, these letters record the years of her involvement in the Transcendentalist Club—a group of liberal clergymen and writers who gathered to discuss theology, literature, and philosophy. In 1839 the Club decided to found a magazine, The Dial; Fuller became the editor, and at last she had a forum for her innovative views of literature and o...
Filled with dramatic, ironic, and sometimes tragic turns, this superb biography captures the story of one of America's most extraordinary figures, producing at once the best life of Fuller ever written, and one of the great biographies in American history. In Volume II, Charles Capper illuminates Fuller's "public years," focusing on her struggles to establish her identity as an influential intellectual woman in the Romantic Age. He brings to life Fuller's dramatic mixture of inward struggles, intimate social life, and deep engagements with the movements of her time. He describes how Fuller struggled to reconcile high avant-garde cultural ideals and Romantic critical methods with democratic social and political commitments, and how she strove to articulate a cosmopolitan vision for her nation's culture and politics. Capper also offers fresh and often startlingly new treatments of Fuller's friendships with Ralph Waldo Emerson, Thomas Carlyle, and Giuseppe Mazzini, in addition to many others.