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The Life and Works of José Joaquin Fernández de Lizardi
A Mexican literary and political figure of the early nineteenth century whose writings present the best existing portrayal of Spanish colonial society.
"We Are Now the True Spaniards"
This book is a radical reinterpretation of the process that led to Mexican independence in 1821—one that emphasizes Mexico's continuity with Spanish political culture. During its final decades under Spanish rule, New Spain was the most populous, richest, and most developed part of the worldwide Spanish Monarchy, and most novohispanos (people of New Spain) believed that their religious, social, economic, and political ties to the Monarchy made union preferable to separation. Neither the American nor the French Revolution convinced the novohispanos to sever ties with the Spanish Monarchy; nor did the Hidalgo Revolt of September 1810 and subsequent insurgencies cause Mexican independence. It was Napoleon's invasion of Spain in 1808 that led to the Hispanic Constitution of 1812. When the government in Spain rejected those new constituted arrangements, Mexico declared independence. The Mexican Constitution of 1824 affirms both the new state's independence and its continuance of Spanish political culture.
The Mexican Republic
Green offers a colorful acccount of the first decade of Mexican independence from Spain. He views the failed attempt to establish a strong republic and the subsequent civil war that plagued the young nation. From this first decade, two polarized factions emerged, one federalist and populist, the other attempted to keep much of the old order of authroitarianism and church power established under colonialism. The were to be called the Liberals and the Conservatives, who would vie for power over the next century.
Criminal and Citizen in Modern Mexico
Criminal and Citizen in Modern Mexico explores elite notions of crime and criminality from the late eighteenth to the early twentieth century. In Mexico these notions represented contested areas of the social terrain, places where generalized ideas about criminality transcended the individual criminal act to intersect with larger issues of class, race, gender, and sexuality. It was at this intersection that modern Mexican society bared its soul. Attitudes toward race amalgamation and indios, lower-class lifestyles and läperos, women and sexual deviance, all influenced perceptions of criminality and ultimately determined the fundamental issue of citizenship: who belonged and who did not. The...
Revolutionaries, Rebels and Robbers
This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully – Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba – it imagines a ‘Golden Age’ of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called ‘social bandits’, an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available. Contents Introduction: The Idea of a Golden Age of Latin American Banditry 1850-1950 1. The Figure of the Bandit in History, Culture and Social Theory 2. Mexico: The Myth of the Bandit Nation 3. Mexico’s Classic Bandit Narrative: Los de abajo 4. Beyond Mexico I: Bandit Cultures in Latin America 5. Beyond Mexico II: Chicano Bandit Cultures Conclusion
Life and Deeds of the Famous Gentleman Don Catrín de la Fachenda
Don Catrín de la Fachenda, here translated into English for the first time, is a picaresque novel by the Mexican writer José Joaquín Fernández de Lizardi (1776-1827), best known as the author of El Periquillo Sarniento (The Itching Parrot), often called the first Latin American novel. Don Catrín is three things at once: a rakish pícaro in the tradition of the picaresque; a catrín, a dandy or fop; and a criollo, a person born in the New World and belonging to the same dominant class as their Spanish-born parents but relegated to a secondary status. The novel interrogates then current ideas about the supposed innateness of race and caste and plays with other aspects of the self considered more extrinsic, such as appearance and social disguise. While not directly mentioning the Mexican wars of independence, Don Catrín offers a vivid representation of the political and social frictions that burst into violence around 1810 and gave birth to the independent countries of Latin America. ??????????????????????????????????????????????????????????????????????????????????????????????
