Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
We moeten eens koffie drinken
'De creatieve industrie'. Het is een industriële mindset, een containerterm, een vorm van erkenning. Het is ook een bezuinigingsmaatregel, of zelfs een schaamlap, een muur van retoriek om het nog iets te laten lijken. Sommige ondernemers voelen zich thuis bij het idee van een creatieve industrie, anderen houden zich er zo weinig mogelijk mee bezig en weer anderen kunnen zich totaal niet vinden in de combinatie van de woorden 'creativiteit’ en ‘industrie'. Niemand weet wat de term 'creatieve industrie' precies inhoudt, toch hebben duizenden ondernemers, professionals, wetenschappers en beleidsmakers er in hun dagelijkse werk mee te maken. Zelden vragen we ons af: hoe kijken zij tegen dit...
De Revisor 36
Af en toe lijkt het alsof er achter iedere voordeur iemand een boos, verdrietig, gedurfd of hoogstpersoonlijk stukje zit te tikken. Iedereen heeft tegenwoordig een column en die columns worden bovendien massaal gelezen en gedeeld. In De Revisor #36 onderzoeken elf (toekomstige) stercolumnisten de column als literair genre. Hoe ontstijg je het vluchtige meningencircus en de anekdotiek en hoe beïnvloeden deadlinestress en een beperkt woordenaantal de lenigheid van je taal? Kortom: wat maakt de column tot literatuur? Met: Sheila Sitalsing, Niña Weijers, Erik Jan Harmens, Thomas Verbogt, Ceren Uzuner, Johan Fretz, Joke Van Caesbroeck, Jozien Wijkhuijs, Vrouwkje Tuinman, Jeroen Woe en Jan Postma.
Ik zeg Emily
Langverwachte bundel van een groot talent
The Seaweed Collector's Handbook
Seaweed is so familiar and yet its names - pepper dulse, sea lettuce, bladderwrack - are largely unknown to us. In this short, exquisitely illustrated portrait, the Dutch poet and artist Miek Zwamborn shares her discoveries of its history, culture and use, from the Neolithic people of the Orkney Islands to sushi artisans in modern Japan. Seaweed troubled Columbus on his voyages across the Atlantic, intrigued von Humboldt in the Sargasso Sea and inspired artists from Hokusai to Matisse. Covering seaweed's collection by Victorians, its adoption into fashion and dance and its potential for combating climate change, and with a fabulous series of recipes based around the 'truffles of the sea', this is a wonderful gift for every nature lover's home.
The Sisters of Auschwitz
"Heartbreakingly good" Stephen, Amazon review ⭐ ⭐ ⭐ ⭐ ⭐ "You can't put it down" Anon, Amazon review ⭐ ⭐ ⭐ ⭐ ⭐ "Immensely moving" Jo, Amazon review ⭐ ⭐ ⭐ ⭐ ⭐ "An incredible read" Agnes, Amazon review ⭐ ⭐ ⭐ ⭐ ⭐ They knew their survival depended on each other. They had to live for each other. It is 1940 and the Final Solution is about to begin. The Nazis have occupied The Netherlands but resistance is growing and two Jewish sisters - Janny and Lien Brilleslijper - are risking their lives to save those being hunted, through their clandestine safehouse 'The High Nest'. It becomes one of the most important safehouses in the country but when the house and its...
The Disoriented
Having fled his homeland 25 years ago for France, Adam returns to the East for the first time to see a dying friend. Among the milk-white mountains of his homeland, the past soon catches up with him. His childhood friends have all taken different paths in life - and some now have blood on their hands. Loyalty, identity, and the clash of cultures and beliefs form the heart of this big and bold novel.
The Microstructure of Financial Markets
The analysis of the microstructure of financial markets has been one of the most important areas of research in finance and has allowed scholars and practitioners alike to have a much more sophisticated understanding of the dynamics of price formation in financial markets. Frank de Jong and Barbara Rindi provide an integrated graduate level textbook treatment of the theory and empirics of the subject, starting with a detailed description of the trading systems on stock exchanges and other markets and then turning to economic theory and asset pricing models. Special attention is paid to models explaining transaction costs, with a treatment of the measurement of these costs and the implications for the return on investment. The final chapters review recent developments in the academic literature. End-of-chapter exercises and downloadable data from the book's companion website provide opportunities to revise and apply models developed in the text.
Fucking Good Art : the interviews
Rotterdam was het centrum van de kunstwereld, met internationale coryfeeën als Chris Dercon, Catherine David en nationale als Wilma Sütö en Arno van Roosmalen, maar opeens waren ze allemaal weg, gedeeltelijk vervangen door Sjarel Ex en Hans Maarten van den Brink. Vijftien jaar werden er interessante tentoonstellingen georganiseerd en buitenlandse tentoonstellingsmakers ingevlogen. Wat ging er verkeerd? Wil de lokale politiek geen moeilijke kunst, maar publieksevenementen? Interviews met de Rotterdamse betrokkenen.
The Book of Touch
This book puts a finger on the nerve of culture by delving into the social life of touch, our most elusive yet most vital sense. From the tortures of the Inquisition to the corporeal comforts of modernity, and from the tactile therapies of Asian medicine to the virtual tactility of cyberspace, The Book of Touch offers excursions into a sensory territory both foreign and familiar. How are masculine and feminine identities shaped by touch? What are the tactile experiences of the blind, or the autistic? How is touch developed differently across cultures? What are the boundaries of pain and pleasure? Is there a politics of touch? Bringing together classic writings and new work, this is an essential guide for anyone interested in the body, the senses and the experiential world.
Wild Blue Media
In Wild Blue Media, Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the differences between perceptual environments and how we think within and through them as embodied observers. In doing so, she provides media studies with alternatives to familiar theoretical frameworks, thereby challenging scholars to navigate unfamiliar oceanic conditions of orientation, materiality, and saturation. Jue not only examines media about the ocean—science fiction narratives, documentary films, ocean data visualizations, animal communication methods, and underwater art—but reexamines media through the ocean, submerging media theory underwater to estrange it from terrestrial habits of perception while reframing our understanding of mediation, objectivity, and metaphor.
