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Firefly meets The Expanse in a future where humanity has destroyed the Earth through ecological disaster and warfare, and a totalitarian state prevents any access to their home... Environmental disasters and AI armies have caused the human population of Earth to flee. They lie scattered across space stations and colonies, overcrowded and suffering. The Earth is cut off by the Interdiction Zone: a network of satellites that prevents any escape from the planet. The incredible cost of maintaining it has crippled humanity, who struggle under the totalitarian yoke of the Sol Commonwealth government. Many have been driven to the edge of society, taking any work offered, criminal and otherwise, in order to survive. The crew of the Arcus are just such people. Through the Interdiction Zone, a world of priceless artifacts awaits, provided anyone is crazy enough to make the run. With fuel running low and cred accounts even lower, the Arcus’ survival might depend on taking the job. Yet on arrival on Earth, the crew discovers that what remains of their world is not as they have been told, and the truth may bring the entire Sol Commonwealth tumbling down…
“Darkly engrossing, SINthetic shines a stark light on the age-old question, what does it mean to be human?” —Julie Kagawa, New York Times bestselling author The Artificial Evolution They look like us. Act like us. But they are not human. Created to perform the menial tasks real humans detest, Synths were designed with only a basic intelligence and minimal emotional response. It stands to reason that they have no rights. Like any technology, they are designed for human convenience. Disposable. In the city of New Lyons, Detective Jason Campbell is investigating a vicious crime: a female body found mutilated and left in the streets. Once the victim is identified as a Synth, the crime is designated no more than the destruction of property, and Campbell is pulled from the case. But when a mysterious stranger approaches Campbell and asks him to continue his investigation in secret, Campbell is dragged into a dark world of unimaginable corruption. One that leaves him questioning the true nature of humanity. And what he discovers is only the beginning . . .
From the New York Times–bestselling “master of crime fiction and equine thrills,” a jockey turned investigator tackles crime in the horse racing world (Newsday). Dick Francis, Edgar Award–winning master of mystery and suspense, takes you into the thrilling world of horse racing. A hard fall took hotshot jockey Sid Halley out of the horse racing game, leaving him with a crippled hand, a broken heart, and the desperate need for a new job. Now he’s landed a position with a detective agency, only to catch a bullet from some common thug. And things are about to get even more hectic. The agency is giving him a case to handle on his own. The case brings him to the door of Zanna Martin, a ...
The Post-Modern Prometheus Synths were manufactured to look human and perform physical labor, but they were still only machines. That’s what the people who used—and abused—them believed, until the truth was revealed: Synths are independent, sentient beings. Now, the governments of the world must either recognize their human nature and grant them their rightful freedom, or brace for a revolution. Former New Lyons Detective Jason Campbell has committed himself to the Synths’ cause, willing to fight every army the human race marches against them. But they have an even greater enemy in Walton Biogenics, the syndicate behind the creation and distribution of the “artificial” humans. The company will stop at nothing to protect their secrets—and the near-mythological figure known to Synths as “The First,” whose very existence threatens the balance of power across the world . . . Praise for SINthetic “Darkly engrossing, SINthetic shines a stark light on the age-old question, what does it mean to be human?”—Julie Kagawa, New York Times bestselling author
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
The New York Times bestselling Brit in the FBI series continues with this thrilling “popcorn movie in print form” (Associated Press) pitting special agents Nicholas Drummond and Michaela Caine against a private French space agency that has the power to end the world as we know it. Galactus, France’s answer to SpaceX, has just launched a communications satellite into orbit, but the payload actually harbors a frightening weapon: a nuclear bomb that can trigger a massive electromagnetic pulse (EMP). When the satellite is in position, Galactus’s second-in-command, Dr. Nevaeh Patel, will have the power to lay waste to the world. A former astronaut, Patel believes she is following the dire...
"Nicholas Drummond and his partner Mike Caine are threatened when the Fox calls from Venice asking for help. She warns Nick and Mike that a devastating Gobi desert sandstorm that's killed thousands in Beijing isn't a natural phenomenon but was produced by man. The Covert Eyes team heads to Venice, Italy, to find out the truth before an obsessed family devastates Washington, DC."--Back cover.
A cloth bag containing ten copies of the title.
Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald ( The Last King of Scotland), Christopher Nolan ( The Dark Knight), James Marsh ( Man on Wire), and Guillermo Del Toro ( Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg. Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball. Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.
The first international history of the emergence of economic sanctions during the interwar period and the legacy of this development "Valuable . . . offers many lessons for Western policy makers today."--Paul Kennedy, Wall Street Journal "The lessons are sobering."--The Economist "Original and persuasive. . . . For those who see economic sanctions as a relatively mild way of expressing displeasure at a country's behavior, this book . . . will come as something of a revelation."--Lawrence D. Freedman, Foreign Affairs Economic sanctions dominate the landscape of world politics today. First developed in the early twentieth century as a way of exploiting the flows of globalization to defend libe...