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De Juan Hidalgo
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The Marqu?s, the Divas, and the Castrati
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzm?n (1629-87), Marqu?s de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqu?s financed operas in both Spain and Italy and further shaped them through his ideas, energy, and po...
Special Publications
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Juan Hidalgo, en medio del volcán
La muestra reúne una selección de 62 obras (fotografías, estampados y esculturas) que permiten al público adentrarse por algunas de las vías más representativas de una experimentación estética que, en su misma fuerza transgresora, acaba restaurando los contornos inasibles de la realidad, filtrada por la mirada del artista.
The Rough Guide to Mexico
The Rough Guide to Mexico is the most comprehensive guide available and an essential companion to anyone visiting this country, whether on a package tour, backpacking or on a prolonged business trip. This fully-updated and revised 6th edition includes hundreds of incisive accounts of the sights, providing fresh takes on the well-established attractions and uncovering lesser-known gems. Detailed practical advice is given on activities in every corner of this vibrant nation from the beaches to the bustling cities to the ancient Mayan temples. The guide also includes significant historical and cultural information to give the reader a well-rounded understanding of Mexico, past and present.
The House In Front
The small coastal town of Roquesas is shocked by the disappearance of one of its neighbors: the young Sandra López, 16 years old. When they find the horribly mutilated body of the teenager in the back of the house of one of the most distinguished residents of the town, everyone suspects that Álvaro Alsina is the perpetrator of the crime. The well-thought-out local society begins a witch hunt, blaming Álvaro for the crime, while a dense web of deceit is woven around him, with the sole purpose of incriminating him. Álvaro sees how the whole world is collapsing around him without him, nor his family, being able to do anything to stop it. His friends, his wife, his children, his lover, and even the police chief, consider him the perpetrator of the crime.
