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Shortly after Puerto Ricans were granted U.S. citizenship in 1917, they began moving into an uptown Manhattan neighborhood that would become known as "Spanish Harlem." By 1930, Afro-Cuban music had gained a firm foothold in the city, setting the stage for the mambo, boogaloo, salsa and Latin-jazz scenes that followed. In this collection of profiles and essays, Max Salazar, perhaps the most eminent Latin-music historian in the United States, tells the story of the music and the musicians who made it happen, including Tito Puente, Machito, Tito Rodriguez, Charlie and Eddie Palmieri, Hector Lavoe and many others.
Ernesto "Tito" Puente born in 1923 in Spanish Harlem is a tale about an impoverished Puerto Rican boy who grew up with the advent of radio and American swing bands. At age ten he aspired to be a dancer: another Fred Astaire. An ankle injury gave him the opportunity to explore his talent as a musician. At fourteen he won the coveted Benny Goodman, Gene Krupa drum contest.
A biography of the band leader and recording artist who grew up in Spanish Harlem and gained worldwide popularity as the "King of Latin Music."
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
Publisher Description
Celebrate the richness and diversity of the United States of America in this exciting series.
"From Abba to ZZ Top via Oasis, James Brown and Frank Sinatra, The Penguin Encyclopedia of Popular Music has been revised and updated to include a range of new, contemporary entries from the Britpop scene to world music. Featuring songwriters, musicians, record labels and musical styles, it is a mine of information on today's music the world over."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved