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Ellsworth Kelly
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Yinka Shonibare MBE
Yinka Shonibare MBE (b.1962), a British artist of Nigerian descent is best known for his dramatic tableaux of life-size, headless mannequins, gorgeously dressed in eighteenth- and nineteenth-century costumes made from elaborately patterned textiles popular in Africa. Shonibare matches the staggering, opulent beauty of his art with erudition and wit: exploring identity and authenticity, he taps art historical tradition and intellectual history in sly, provocative works that examine class, race, gender and colonialism. Published to accompany an exhibition organized by the Barnes Foundation, Yinka Shonibare MBE: Magic Ladders presents major works by the artist, including his latest commission. Dr. Albert C. Barnes, the pharmaceutical entrepreneur who assembled one of the world's greatest collections of post-Impressionist and early modern art, as well as one of the most historically imporantant holdings of African art in the United States shared Shonibare's interest in education and social mobility, although their views diverge in important ways. This book is both a catalogue of the exhibition and a reader on Barnes's educational outlook and collecting interests.
The Barnes Foundation: Masterworks
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Ol...
St John and the Victorians
The Gospel according to St John, often regarded as the most important of the gospels in the account it gives of Jesus' life and divinity, received close attention from nineteenth-century biblical scholars and prompted a significant response in the arts. This original interdisciplinary study of the cultural afterlife of John in Victorian Britain places literature, the visual arts and music in their religious context. Discussion of the Evangelist, the Gospel and its famous prologue is followed by an examination of particular episodes that are unique to John. Michael Wheeler's research reveals the depth of biblical influence on British culture and on individuals such as Ruskin, Holman Hunt and Tennyson. He makes a significant contribution to the understanding of culture, religion and scholarship in the period.
Wanamaker's Temple
How a pioneering merchant blended religion and business to create a unique American shopping experience On Christmas Eve, 1911, John Wanamaker stood in the middle of his elaborately decorated department store building in Philadelphia as shoppers milled around him picking up last minute Christmas presents. On that night, as for years to come, the store was filled with the sound of Christmas carols sung by thousands of shoppers, accompanied by the store’s Great Organ. Wanamaker recalled that moment in his diary, “I said to myself that I was in a temple,” a sentiment quite possibly shared by the thousands who thronged the store that night. Remembered for his store’s extravagant holiday ...
The Real and the Sacred
A cultural history of representations of Jesus in nineteenth-century European and American fiction and visual art
The Forge of Vision
"Religions teach their adherents how to see and feel at the same time, so learning to see is not a disembodied process but one hammered out on the forge of human need, social relations, and material practice. Therefore, religions may be studied through the lens of salient visual themes. This book tells a history of Catholic and Protestant Christianity since the sixteenth century by selecting visual themes that have shaped the development of the religion throughout the modern era. Chapters examine a variety of visual practices, including imagination, envisioning nationhood, the likeness of Jesus, modern art as a spiritual quest, the material life of words, and the importance of images for education, devotion, worship, and domestic life."--Provided by publisher.
Age of Transition
Building on the groundbreaking 2012 exhibition “Byzantium and Islam: Age of Transition,” which explored the transformations and continuities in the Byzantine Empire from the seventh to the ninth century, the present volume extends the exhibition catalogue’s innovative investigation of cultural interaction between Christian and Jewish communities and the world of Islam. Eleven essays by internationally distinguished scholars address such topics as the transmission of Christian imagery to the Mediterranean, icons preserved in The Holy Monastery of Saint Catherine at Sinai, interaction between Jewish communities and the Muslim world, the purposeful mutilation of figurative floor mosaics in places of worship, the evolution of classical and Byzantine motifs in a new cosmology for Muslim rulers, and interconnections in the realm of music. Each essay provides compelling evidence that the era of transition from Byzantine to Islamic rule in the eastern Mediterranean and North Africa resulted in unprecedented cultural cross-fertilization and significantly affected the development of the Mediterranean world for centuries to come.
The Routledge Companion to Religion and Film
The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to investigate the ways in which this exciting discipline is developing.
Swing Landscape
An insightful study of the progressive politics animating a great work of modernist mural painting In 1936 the Works Progress Administration’s Federal Art Project commissioned Stuart Davis (1892–1964) to paint a mural for the Williamsburg Houses, a New York City housing project. Though the mural, Swing Landscape, was never installed in its intended location, it survives as an impressive testament to Davis’s energetic, colorful brand of abstraction and the progressive politics that animated it. This study explores the painting, one of the greatest of twentieth-century America and arguably Davis’s most ambitious work. This book challenges the prevailing tendency to separate Davis’s l...
