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Exeter Cathedral is but the crowning glory of Devon's wealth of medieval churches, replete with sumptuous fittings and monuments. The county's peak of prosperity from the late Middle Ages to the seventeenth-century is reflected too in its castles, its secluded manor houses, and its scores of sturdily built farmhouses. The delights of Devon's well loved seaside and country towns are explored from the distinctive merchants' houses of Totnes and Topsham to the elegant Regency crescents of Teignmouth and Sidmouth. The picture is completed by accounts of the creation of the docks at Plymouth, industrial relics, and the substantial but little known store of Devon's Victorian churches.
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Lincolnshire is incredibly rich in medieval churches from Saxon times onwards, many of them still little known. Lincoln Cathedral is justly famous, and second only to Durham in the grandeur of its setting. The prosperous years from the Middle Ages though to the eighteenth century have left a splendid legacy in the great town churches of Boston and Louth, in the innumerable village churches of the south of the county, the delightful manor houses (such as Tennyson's Somersby) and the Georgian town houses and coaching inns of Boston and Grantham, of Lincoln and Louth, and above all of Stamford. Monuments to industry include the vast maltings at Sleaford, the soaring dock tower of Grimsby, and an abundance of windmills.
A comprehensive architectural guide encompassing three centuries of metropolitan growth spanning an area from Georgian St Marylebone and the riverside terraces of Chelsea and Chiswick to Heathrow Airport and the outer fringes of Middlesex.
London 2: South is a uniquely comprehensive guide to the twelve southern boroughs. Its riverside buildings range from the royal splendours of Hampton Court and Greenwich and the Georgian delights of Richmond, to the monuments of Victorian commerce in Lambeth and Southwark. But the book also charts lesser known suburbs, from former villages such as Clapham to still rural, Edwardian Chislehurst, as well as the results of twentieth-century planners' dreams from Roehampton to Thamesmead. Full accounts are given of London landmarks as diverse as Southwark Cathedral, Soane's Dulwich Picture Gallery and the arts complex of the South Bank. The outer boroughs include diverse former country houses - Edward IV's Eltham Palace, the Jacobean Charlton House, and the Palladian Marble Hill. The rich Victorian churches and school buildings are covered in detail, as are the exceptional structures of Kew Gardens.
This book combines concepts from the history of religions with Byzantine studies in its assessments of kings, symbols, and cities in a diachronic and cross-cultural analysis. The work attests, firstly, that the symbolic art and architecture of ancient cities—commissioned by their monarchs expressing their relationship with their gods—show us that religiosity was inherent to such enterprises. It also demonstrates that what transpired from the first cities in history to Byzantine Christendom is the gradual replacement of the pagan ruler cult—which was inherent to city-building in antiquity—with the ruler becoming subordinate to Christ; exemplified by representations of the latter as th...
This volume covers the old counties of Montgomeryshire, and Breconshire. The gazetteer ranges from early Christian memorials in remote rural churches to the splendours of Powis Castle's baroque interiors and terraced gardens and the monumental achievements of the Victorian reservoir engineers.
The remote, rugged, rough country of North West Ulster possesses buildings as varied as its landscape. Monuments of the Celtic church - sculptured cross-slabs, high crosses and round towers - and medieval tower houses survive from its earliest centuries. Fortified houses from the Plantation period are succeeded by Georgian mansions, and the richly varied urban and rural buildings of the Victorian period. In its churches both Protestant and Catholic, North West Ulster shows itself no less diverse.
This work covers the English county of Berkshire. Stretching from the fringes of London, Berkshire originally covered much of present day Oxfordshire. The variety of architecture is, consequently, broad and remarkable, from the towns of the home counties to the farmhouses and churches of its west.
Full of memorable and surprising buildings, Nottingham is a county that rewards close investigation. Great medieval churches are represented by Worksop, Newark and by Southwell, with its exquisite carved 'leaves'. Of its country houses, Wollaton Hall shows Elizabethan architecture at its most fantastic, Bunny Hall the English Baroque at its most bizarre, while Lord Byron's Newstead Abbey incorporates one of the strangest of all monastic ruins. The city of Nottingham, marvellously set between hills, is crowded with sturdy Victorian and Edwardian commercial buildings, and enlivened by a strong local tradition of first-rate Modernist architecture.