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Includes entries for maps and atlases.
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From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
Exploring the formation of networks across late medieval Central Europe, this book examines the complex interaction of merchants, students, artists, and diplomats in a web of connections that linked the region. These individuals were friends in business ventures, occasionally families, and not infrequently foes. No single activity linked them, but rather their interconnectivity through matrices based in diverse modalities was key. Partnerships were not always friendship networks, art was sometimes passed between enemies, and families created for financial gain. Taking an interdisciplinary approach, the chapters focus on inclusion and exclusion within intercultural networks, both interpersonal and artistic, using a wide spectrum of source materials and methodological approaches. The concept of friends is considered broadly, not only as connections of mutual affection but also simply through business relationships. Families are considered in terms of how they helped or hindered local integration for foreigners and the matrimonial strategies they pursued. Networks were also deeply impacted by rivalry and hostility.
This book presents state-of-the-art discussions around the concentration camp Jasenovac. Initially one of the largest camps of the Second World War, Jasenovac became a symbol of supra-national unity during the Yugoslav period and in the 1990s re-emerged as a contested symbol of narrational victimhood. By analyzing some of the most controversial topics related to the Second World War in south-eastern Europe – the Holocaust, the genocide of Serbs and Roma, the issues of political prisoners and state-sponsored crimes, censorship during Communist Yugoslavia, the use of memory in war propaganda, and representation of tragedies in museums and art – the book allows for a greater understanding of the development of intergroup violence in the former Yugoslavia. It will be of interest to scholars and students of history, genocide studies, memory studies, and sociology as well as professionals working in the field of conflict resolution and reconciliation.