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Tracing Europe in the long 20th century as it moved from a leading world region to a group of states constantly trying to assert themselves globally, this volume examines the tension between national and imperial ambition, competition between political orders, the transformation of economy and society, and the impact of ideas and utopias.
Written by leading Nordic historians, this analysis discusses postwar memory and war historiographies from the perspectives of Denmark, Finland, Iceland, Norway, and Sweden vis-à-vis the Second World War. Focusing on the relationship between scholarly and public understandings of the war, this book presents the overarching themes that set apart the Nordic experience while remaining attentive to the distinctive characteristics of war time in each of the five different countries. A major contribution to the international debate on postwar memory, this fascinating account speaks to all those who have an interest in the modern European history.
This volume places the Eastern, especially the Austro-Russian, fronts of the Great War centre stage, examining the little-known environmental and spatial dimensions in the history of the war. The focus is particularly on the Austrian crown land of Galicia, which was transformed from a neglected periphery into a battleground of three imperial armies, and where for the first time, nature was a key protagonist. The book balances contributions by emerging and established scholars, and benefits from a multi-language approach, expertise in the field, and extensive archival research in national archives. Contributors are Hanna Bazhenova, Gustavo Corni, Iaroslav Golubinov, Kerstin Susanne Jobst, Tomasz Kargol, Alexandra Likhacheva, Oksana Nagornaia, David Novotny, Christoph Nübel, Gwendal Piégais, Andrea Rendl, Kamil Ruszała, Nicolas Saunders, Kerstin von Lingen, Yulia Zherdeva, and Liubov Zhvanko.
"This volume explores the tension between mass death and individual loss by linking long-term patterns of mourning, burial, and grief with the short-term cataclysmic violence unleashed by two world wars. How various "cultures of death" shaped the broader historical relationship between the living and the dead in modern Germany is the main concern of this book. It contributes to a history of death in Germany that does not begin and end with the Third Reich."--BOOK JACKET.
Historians discuss the 1970s as an era of deep transformations and even structural rupture in Western societies. For the first time, Cities Contested engages in this debate from the perspective of comparative urban history, examining the struggles in and about urban space at a time when ideas about the “city” and concepts of urban planning were being reconsidered. This book discusses the structural rupture of the time by comparing case studies of Italian and Western German cities, analyzing central issues of urban politics, urban renewal and heritage, and urban protest and social movements. An original contribution to current debates on the transition from industrial modernity to post-Fordist societies as well as to urban history and the history of social movements, Cities Contested draws on the parallel histories of Italy and Germany to propose new questions and new avenues for investigation.
History from Loss challenges the common thought that "history is written by the winners" and explores how history-makers in different times and places across the globe have written histories from loss, even when this has come at the threat to their own safety. A distinguished group of historians from around the globe offer an introduction to different history-makers’ lives and ideas, and important extracts from their works which highlight various meanings of loss: from physical ailments to social ostracism, exile to imprisonment, and from dispossession to potential execution. Throughout the volume consideration of the information "bubbles" of different times and places helps to show how in...
For the first time, Anton Wagner’s groundbreaking 1935 book that launched the study of Los Angeles as an urban metropolis is available in English. No book on the emergence of Los Angeles, today a metropolis of more than four million people, has been more influential or elusive than this volume by Anton Wagner. Originally published in German in 1935 as Los Angeles: Werden, Leben und Gestalt der Zweimillionenstadt in Südkalifornien, it is one of the earliest geographical investigations of a city understood as a series of layered landscapes. Wagner demonstrated that despite its geographical disadvantages, Los Angeles grew rapidly into a dominant urban region, bolstered by agriculture, real e...
In Social Movements: A Theoretical Approach, Dieter Rucht offers a theoretically and historically informed approach to social movements as a phenomenon of modern societies. He links the analysis of social movements to general theories of society and processes of social change, and combines three basic perspectives: interactionist, constructivist, and process-oriented (ICP-approach). Drawing mainly on ideas from Jürgen Habermas, Pierre Bourdieu, and Anthony Giddens, Rucht recommends several revisions and highlights the important role of the public sphere as the central stage for social movements. He argues that it is a realm in its own right and the major domain in which social movements mak...
A comprehensive account of how German and American historians after World War II tackled the question of the roots of National Socialism, History After Hitler traces the development of a transatlantic scholarly community as a key part of the intellectual history of the Federal Republic and of Cold War German-American relations.
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate t...