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The Ecclesiologist
  • Language: en
  • Pages: 492

The Ecclesiologist

  • Type: Book
  • -
  • Published: 1856
  • -
  • Publisher: Unknown

None

The Builder
  • Language: en
  • Pages: 734

The Builder

  • Type: Book
  • -
  • Published: 1856
  • -
  • Publisher: Unknown

None

Enamels, Crowns, Relics and Icons
  • Language: en
  • Pages: 396

Enamels, Crowns, Relics and Icons

This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.

The History of the Decline and Fall of the Roman Empire
  • Language: en
  • Pages: 614

The History of the Decline and Fall of the Roman Empire

  • Type: Book
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  • Published: 1897
  • -
  • Publisher: Unknown

None

The Organist as Scholar
  • Language: en
  • Pages: 320

The Organist as Scholar

Russell Saunders, professor of organ at the Eastman School of Music, died suddenly and unexpectedly on December 6, 1992. He was generally acknowledged to be the foremost teacher of organ in the United States, if not the world, and a most important link between the worlds of scholar and performer. This volume, planned by his colleagues as a Festschrift in honor of his seventieth birthday, is now a memorial.

The History of Museums Vol 4
  • Language: en
  • Pages: 373

The History of Museums Vol 4

Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history in relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.

Annual Bibliography of the History of the Printed Book and Libraries
  • Language: en
  • Pages: 758

Annual Bibliography of the History of the Printed Book and Libraries

  • Categories: Art

The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.

Athenaeum and Literary Chronicle
  • Language: en
  • Pages: 1564

Athenaeum and Literary Chronicle

  • Type: Book
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  • Published: 1855
  • -
  • Publisher: Unknown

None

“The” Athenaeum
  • Language: en
  • Pages: 928

“The” Athenaeum

  • Type: Book
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  • Published: 1894
  • -
  • Publisher: Unknown

None

A General History of Horology
  • Language: en
  • Pages: 777

A General History of Horology

A General History of Horology describes instruments used for the finding and measurement of time from Antiquity to the 21st century. In geographical scope it ranges from East Asia to the Americas. The instruments described are set in their technical and social contexts, and there is also discussion of the literature, the historiography and the collecting of the subject. The book features the use of case studies to represent larger topics that cannot be completely covered in a single book. The international body of authors have endeavoured to offer a fully world-wide survey accessible to students, historians, collectors, and the general reader, based on a firm understanding of the technical basis of the subject. At the same time as the work offers a synthesis of current knowledge of the subject, it also incorporates the results of some fundamental, new and original research.