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This study focuses on the work of the nineteenth-century journalist and revolutionary, Jules Vallès (1832-1885). By exploring the relationship between Vallès's trilogy of semi-autobiographical novels and the ideology underpinning the early Third Republic, it argues that his trilogy aimed at several levels to contest the legitimacy of the French Third Republic. The study begins by discussing the historical motivations behind the Republic's forceful propagation of its ideology. It then goes on to chart the typical discursive modes through which Third Republican ideology was (re)produced, in particular the speeches, festivals and iconography of the infant regime. The concluding chapters provide a detailed analysis of literary strategies used by Vallès to combat the ideological discourses of the Republican regime.
How does literature give voice to the political? In what ways does it articulate a political dimension? For Jules Vallès (1832-1885), member of the Paris Commune of 1871 and editor of Le Cri du Peuple, author of the autobiographical trilogy, L'Enfant (1878), Le Bachelier (1881), and L'Insurgé (1886), the politics of literature is literally a matter of the voice, for it is inherent to the voice as matter: the grain of the voice, the physical trace of the voice in writing, the voice as a heterogeneous effect of writing. An indispensable work for all those interested in autobiographical voice and orality in literature, this study offers both a comprehensive theoretical reflection on the probl...
This study focuses on the work of the nineteenth-century journalist and revolutionary, Jules Vallès (1832-1885). By exploring the relationship between Vallès's trilogy of semi-autobiographical novels and the ideology underpinning the early Third Republic,
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This book is the third part of Jules Valles Roman-a-clef autobiographical Jacques Vingtras trilogy, in which he describes his participation in the workers movement of the 1860s, and his role in the Paris Commune.
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