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The Pleasure of the Feminist Text
"I would regard myself as a feminist writer, because I'm a feminist in everything else and one can't compartmentalise these things in one's life." (Angela Carter) "When I became a feminist in 1968, I felt that I'd come home: the first home I ever had that was feminine. And it was very wild and theatrical and erotic, the early feminism." (Michèle Roberts) Angela Carter and Michèle Roberts share a keen interest in gender and sexual identity, but many of their topics seem to mark them as opposites: Roberts's fascination with the impact of religion, motherhood and autobiography on female identity covers areas that Carter shuns in her writings. In reading these two authors parallel and in contr...
Imperial Emotions
Examines the politicisation of empathy across the British empire during the nineteenth century and traces its legacies into the present.
Neo-Victorianism on Screen
This book broadens the scope of inquiry of neo-Victorian studies by focusing primarily on screen adaptations and appropriations of Victorian literature and culture. More specifically, this monograph spotlights the overlapping yet often conflicting drives at work in representations of Victorian heroines in contemporary film and TV. Primorac’s close analyses of screen representations of Victorian women pay special attention to the use of costume and clothes, revealing the tensions between diverse theoretical interventions and generic (often market-oriented) demands. The author elucidates the push and pull between postcolonial critique and nostalgic, often Orientalist spectacle; between feminist textual interventions and postfeminist media images. Furthermore, this book examines neo-Victorianism’s relationship with postfeminist media culture and offers an analysis of the politics behind onscreen treatment of Victorian gender roles, family structures, sexuality, and colonial space.
The Palgrave Handbook of Neo-Victorianism
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
The Postfeminist Biopic
This book contributes to the growing literature on the biopic genre by outlining and exploring the conventions of the postfeminist biopic. It does so by analyzing recent films about the lives of famous women including Sylvia Plath, Frida Kahlo, Virginia Woolf and Jane Austen.
Young Women, Girls and Postfeminism in Contemporary British Film
In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema's engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill's Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.
Adapted from the Original
Critics and audiences often judge films, books and other media as "great" --but what does that really mean? This collection of new essays examines the various criteria by which degrees of greatness (or not-so) are constructed--whether by personal, political or social standards--through topics in cinema, literature and adaptation. The contributors recognize how issues of value vary across different cultures, and explore what those differences say about attitudes and beliefs.
Representing Royalty
Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. The most recent productions by ITV and Netflix show that the fascination with British royalty continues unabated both in Britain and around the world. This book examines strategies of representing power and the staging of myths of power in seven popular films about British monarchs that were made after the mid-1990s revival of the “royal biopic” genre. By combining approaches from cultural studies with concepts and theories from the humanities, such as film studies and art history, it offers a comprehensive understanding of the cinematic portraits of royalty. In addition, the volume...
Crazy Love
When Leslie met her husband Conor she felt she'd found the man of her dreams. Smart, attentive and devoted to her, he was all she'd ever hoped for and it wasn't long before they were married. But worrying cracks began to appear in this seemingly perfect relationship. For whilst Conor could sometimes make Leslie feel loved and cherished, at other times his abrupt, violent mood swings left her deeply troubled. And as the violence escalated, Leslie felt trapped in a world of terror - a world from which she knew she had to escape. Harrowing and yet compulsively readable, Crazy Love throws a spotlight on a brutal, hidden world of abuse. As it takes you on a rollercoaster ride through hell, it tells the story of how one woman was forced to confront a painful truth: the man she loved seemed determined to kill her.
Personalpolitische Handlungsalternativen mit älteren Arbeitnehmern in Unternehmen vor dem Hintergrund der demographischen Entwicklung in Deutschland
Entgegen der weltweiten demographischen Entwicklung, die eine Bevölkerungsexplosion zur Folge haben wird, sieht sich Deutschland mit einer stark schrumpfenden und älter werdenden Bevölke-rung konfrontiert. Die differenzierte Erläuterung dieses demographischen Wandels sowie seiner Chancen erfordert eine Analyse der gesamt- und einzelwirtschaftlichen Auswirkungen auf Basis der Bevölkerungsvorausberechnung des Statistischen Bundesamtes. Zunehmend müssen Möglichkeiten zur Integration älter und knapper werdender Arbeitnehmer in Unternehmen implementiert werden, zu deren Gestaltung es personalpolitischer Handlungsansätze und Managementpraktiken bedarf. Dabei gewinnt nach Überlegungen zur Verlängerung der Lebensarbeitszeit insbesondere der Faktor Arbeitszeit an Bedeutung, dessen Nutzung im Konzept der lebensphasenorientierten Personalpolitik alters- und alternsgerechtes Arbeiten länger ermöglichen soll. Es erfolgt eine pra-xisnahe Vertiefung auf den Einzelhandel sowie die Herausstellung einesBest Practice Beispiels, das neben der Wahrnehmung sozialer Verantwortung in der demographischen Entwicklung auch be-triebswirtschaftlichen Erfolg demonstriert.
