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Surveying the major antiwar artists, art collectives, and iconic works, as well as offering an original typology of antiwar engagement, this is the first comprehensive history of American artistic protest against the Vietnam War.
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In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists...
Debbie Wilson is thirty-one years old. Her days are full of the joys and obstacles familiar to so many navigating the American Dream. Married to a naval officer who is contemplating a new career, she is the devoted mother to two young boys, and in her final college semester training to be a middle school teacher. Her life is unfolding largely as planned. One morning while in the shower, her soapy fingers discover a marble-sized, tumor on her left breast. At that moment, Debbie and her family are thrust onto an unexpected journey that tests their love, faith, and resolution as she battles one manifestation of cancer after another-including one of the rarest forms of cancer in the world. Over ...
From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.