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Freedom Journey
The story of thirty-six African American men who drew upon their shared community of The Hills for support as they fought in the Civil War. Through wonderfully detailed letters, recruit rosters, and pension records, Edythe Ann Quinn shares the story of thirty-five African American Civil War soldiers and the United States Colored Troop (USCT) regiments with which they served. Associated with The Hills community in Westchester County, New York, the soldiers served in three regiments: the 29th Connecticut Infantry, 14th Rhode Island Heavy Artillery (11th USCT), and the 20th USCT. The thirty-sixth Hills man served in the Navy. Their ties to family, land, church, school, and occupational experien...
Picturing the New Negro
Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.
A Companion to Textile Culture
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodologica...
Consuming Identities
Consuming Identities restores the California gold rush to its rightful place as the first pivotal chapter in the American history of photography, and uncovers nineteenth-century San Francisco's position in the vanguard of modern visual culture.
The Harlem Renaissance and Transatlantic Modernism
Beginning in the 1920s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume reexamines the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher, as well as the writings of W. E. B. Du Bois, Langston Hughes, and Zora Neale Hurston. Featuring artists such as Aaron Douglas, Charles Henry Alston, Augusta Savage, and William H. Johnson, who synthesized the expressive...
Allan Rohan Crite
Published in conjunction with the May 2001 exhibition at the Frye Art Museum, this catalogue presents 53 color reproductions of the work of artist Allan Rohan Crite, whose paintings illustrate everyday activities or seemingly insignificant moments. Four essays provide introductory information and commentary on the Crite and his work. Distributed by the U. of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR
Creating Black Americans
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
African-American Artists, 1929-1945
This handsome book focuses on the work of African-American artists during the Depression and the war years, when government-sponsored programs led to a resurgence in artistic production throughout the United States.
Santeria Enthroned
Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice, Brown shows how negotiation among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of chang...
African Americans in the Visual Arts
While social concerns have been central to the work of many African-American visual artists, painters
