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This 1980 book is a clear and detailed study of Julio Cortázar's four major novels.
The work of the twentieth-century Argentine writer Cortazar is analyzed by Standish (foreign languages and literature, East Carolina U., Greenville), who writes with the assurance of his long familiarity with the author's work. Of the eight chapters, the first is devoted to Cortazar's life, the remainder to his writing, which is divided chronologically and by genre. Cortazar's own writing on literature and his controversial political identity each merit separate chapters. c. Book News Inc.
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A 1998 collection of essays on the Argentine writer Julio Cortázar.
A collection of masterful short stories in Julio Cortazar's sophistocated, powerful and gripping style. 'Julio Cortázar is truly a sorcerer and the best of him is here, in these hilariously fraught and almost eerily affecting stories' Kevin Barry A grieving family home becomes the site of a terrifying invasion. A frustrated love triangle, brought together by a plundered Aztec idol, spills over into brutality. A lodger’s inability to stop vomiting bunny rabbits inspires a personal confession. As dream melds into reality, and reality melts into nightmare, one constant remains throughout these thirty-five stories: the singular brilliance of Julio Cortazar’s imagination. WITH A NEW INTRODUCTION BY KEVIN BARRY ‘Anyone who doesn't read Cortázar is doomed’ Pablo Neruda
"A Cuban of our acquaintance describes Cortázar as "the best French writer in Spanish." Not only because he has the candor to set his fiction in Paris, where so many South American writers have found breathing room, but because he has a truly French feel for the miscellaneous, kitchen-sinky, birds-eye texture of dally life. In A Manual for Manuel, you'll meet Andres, Marco, Francine, Lonstein, Lucienne, Patricio, and Susanna: a mixed group of French intellectuals and "Argentines who don't know what they're doing" in Paris. Together they make up "the Screwery," a collective that's more "pataphysical" than strictly revolutionary - involved in projects as diverse as collecting a scrapbook of n...
This book offers interviews, reviews, tributes and articles to examine the works of Julio Cortazar with a biographical introduction.
OrIoff shows that Cortázar did not become a political writer as a result of the Cuban Revolution, as is often claimed, but rather that the representation of the political was present in Cortázar's very first writings. The book analyses the evolution of the representation of distinct political elements throughout Cortázar's writings, mainly with reference to the novels and the so-called collage books, which have so far received only limited critical attention. The author also alludes to some short stories and refers to many of Cortázar's non-literary texts. Through this chosen corpus, the book follows a thematic thread, showing that politics was present in Cortázar's fiction from his ver...
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