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The Weakness of the Will
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
J. L. Austin
The first biography of the philosopher who became a mastermind of Allied intelligence in World War Two. Austere, witty, and formidable, J. L. Austin (1911-1960) was the leader of Oxford Ordinary Language Philosophy and the founder of speech-act theory. This book--the first full-length biography of Austin--enhances our understanding of his dominance in 1950s Oxford, examining the significance of his famous Saturday morning seminars, and his sometimes tense relationships with Gilbert Ryle, Isaiah Berlin, A. J. Ayer, and Elizabeth Anscombe. Throwing new light on Austin's own intellectual development, it probes the strengths and weaknesses of his mature philosophy, and reconstructs his late unpu...
Rethinking Plato
Preliminary Material -- INTRODUCTION -- LIFE OF PLATO -- THOUGHT OF PLATO -- WORKS OF PLATO -- EUTHYPHRO -- APOLOGY -- CRITO -- PHAEDO -- CONCLUSION -- WORKS CITED -- BIBLIOGRAPHIC GUIDE TO FURTHER STUDY -- ABOUT THE AUTHOR -- INDEX OF NAMES -- INDEX OF SUBJECTS -- VIBS.
Acquired Taste
Peterson explores a change in French cooking in the mid-seventeenth century - from the heavily sugared, saffroned, and spiced cuisine of the medieval period to a new style based on salt and acid tastes. In the process, she reveals more fully than any previous writer the links between medieval cooking, alchemy, and astrology. Peterson's vivid account traces this newly acquired taste in food to its roots in the wider transformation of seventeenth-century culture which included the Scientific Revolution. She makes the startling - and persuasive - argument that the shift in cooking styles was actually part of a conscious effort by humanist scholars to revive Greek and Roman learning and to chase the occult from European life.
Strategies of Humor in Post-Unification German Literature, Film, and Other Media
The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Hensel’s Lärchenau, Christoph Hein’s Landnahme, and vignette collections by Jakob Hein (Antrag auf ständige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee...
Laughing Atoms, Laughing Matter
Laughing Atoms, Laughing Matter: Lucretius' De Rerum Natura and Satire offers the first comprehensive examination of Roman epic poet Lucretius’ engagement with satire. Author T. H. M. Gellar-Goad argues that what has often been understood as an artfully persuasive exposition of Epicurean philosophy designed to convert the uninitiated is actually a mimesis of the narrator’s attempt to effect such a conversion on his internal narrative audience—a performance for the true audience of the poem, whose members take pleasure from uncovering the literary games and the intertextual engagement that the performance entails. Gellar-Goad aims to track De Rerum Natura along two paths of satire: firs...
National Union Catalog
Includes entries for maps and atlases.
Dictionary of Twentieth-Century British Philosophers
No Marketing Blurb
Plato - Arguments of the philosophers
This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection. The purpose of this series is to provide a contemporary assessment and history of the entire course of philosophical thought. Each book constitutes a detailed, critical introduction to the work of a philosopher of major influence and significance. This volume is intended as a critical discussion of some of Plato’s central philosophical theses.
Interpreting Plato's Dialogues
This new way of approaching Plato neither sees Plato's words as doctrines according to which the dialogues are to be interpreted, nor does it reduce Plato's dialogues to dramatic literature. Rather, it seeks to interpret the primary aim of Plato's writings as being influenced primarily by Plato's respect for his teacher, Socrates, and the manner in which Socrates engaged others in philosophical discourse. It places the focus of philosophical investigation of Plato's dialogues on the content of the dialogues themselves, and on the Socratic way of doing philosophy.
