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Bedroom Philosopher Diaries
A collection of hilarious and melancholic reports from Justin Heazlewood, aka The Bedroom Philosopher, and his wealth of experience as a touring Folkstar. Read about his epic battles with drunk punters, scatty rockstars, aloof groupies and, mostly, himself. These tell-all tales allow exclusive access to the depths of the performer psyche, Boho Stripped Bare. Each entry grooves with The Bedroom Philosopher’s trademark wordplay, Gen-Y commentary and commitment to emotional honesty. Under the glare of the stage lights he explores the ungainly labyrinth of his alter-ego and the puzzling mechanics of the Australian entertainment scene.
Funemployed
Funemployed goes beyond the press releases and the hype to show what it's really like to be a working artist in Australia. Through candid interviews, brutal honesty and lacerating wit, Justin Heazlewood (aka The Bedroom Philosopher) provides a fascinating portrait of life in Australia for artists and aspiring artists alike. Justin explores every dark corner of the arts. From starting out to giving up; running a business to burning out; the trappings of fame to the advantages of failure; the obstacles and opportunities. This is a landmark book, written with the raw passion of someone with over a decade in the 'trade'. Part confessional and part rogue self-help book, Funemployed is a wholly fascinating insight for everyone who appreciates the arts in Australia. Funemployed includes interviews with over 100 artists Gotye (Wally De Backer), Clare Bowditch, John Safran, Tony Martin, Amanda Palmer, Christos Tsiolkas, Tim Rogers, Adam Elliot and Benjamin Law.
Get Up Mum
It's 1992 in Burnie, Tasmania and 12-year-old Justin lives alone with his mum. When she is well, Mum is perfect. She knows he likes his carrots raw and his toast cooled, and she knows how to sooth his growing pains. But when she is sick she cries uncontrollably and never gets out of bed. High school is on the horizon and Justin is bursting with adolescent energy. But his mum's mental illness hangs over him like a shadow and he feels the need to grow up fast. Told with youthful exuberance, Get Up Mum is a wildly endearing, entertaining and incredibly powerful memoir about love, family, and coming-of-age.
Get Up Mum
It's 1992 in Burnie, Tasmania and 12-year-old Justin lives alone with his mum. When she is well, Mum is perfect. She knows he likes his carrots raw and his toast cooled, and she knows how to sooth his growing pains. But when she is sick she cries uncontrollably and never gets out of bed. High school is on the horizon and Justin is bursting with adolescent energy. But his mum's mental illness hangs over him like a shadow and he feels the need to grow up fast. Told with youthful exuberance, Get Up Mum is a wildly endearing, entertaining and incredibly powerful memoir about love, family, and coming-of-age.
Copyfight
Writers, musicians, filmmakers, gamers, lawyers and academics talk about why copyright matters to them – or doesn’t. We expect to be able to log on and read, watch or listen to anything, anywhere, anytime. Then copy it, share it, quote it, sample it, remix it. Does this leave writers, designers, filmmakers, musicians, photographers, artists, and software and game developers with any rights at all? Have we forgotten how to pay for content? Are big corporations and copyright lawyers the only ones making money? Or are we looking in the wrong direction as illegal downloading becomes the biggest industry of all and copyright violation a way of life? In this provocative book John Birmingham, Linda Jaivin, Marc Fennell, Clem Bastow, Lindy Morrison, Imogen Banks, Dan Hunter, Angela Bowne and others fire up the copyright debate like never before.
Hoarding Memory
Hoarding Memory analyzes the work of Algerian-born French creators, positioning hoarding as a theoretical framework to examine the productive and destructive nature of clinging to memory through their respective modes of expression.
Your Mother Would Be Proud
Whether it's cartwheeling naked across a rugby field in front of an audience of one billion (including your dad); playing eleven-minute soft rock tracks on night-shift radio as cover for some adult magazine fumblings; getting your appendix removed to avoid an English lesson; or stealing KISS's groupies and charging the champagne to Gene Simmons'...
How to Knit a Human
I want to know what it was like to have crossed into the realm of madness. After all, I did it. I went mad. Why can’t I have the secret knowledge that comes with it? How do you write a memoir when your memories have been taken? She awakens in hospital, greeted by nurses and patients she doesn’t recognise, but who address her with familiarity. She decides to untangle the clues. How to Knit a Human is Anna’s quest to find her self and her memory after experiencing psychosis and Electroconvulsive therapy in 2011, at the age of twenty-three. As the memory barriers begin to crumble, Anna weaves her experiences around the gaps of memories that are still not accessible. Anna writes and create...
Other Mother
For Kelly, meeting the right guy was pretty straightforward - becoming a 'spare mum' to his two sons was more daunting. It had taken long enough to get on with her own stepmum, and now Kelly suddenly found herself sharing responsibility for two mini-humans. Her party days gave way to early starts, jokes about farts, games of hide-and-seek, and delicate negotiations with her partner's ex and a cast of many. When Kelly got pregnant, stitching together the patchwork quilt of their new tribe became even trickier. In The Other Mother, Kelly tells how her whole life changed when she became a stepdaughter, how it changed again when she became a stepmum, and how blended families rock her world.
Actor Training in Anglophone Countries
Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Austral...
