You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960s. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture?
For centuries, across nations, dialogue between the domestic and the foreign has affected and transformed architecture. Today these dialogues have become highly intensified. The Domestic and the Foreign in Architecture examines how these exchanges manifest themselves in contemporary architecture, in terms of its aesthetic potential and its practice, which, in turn, are impacted by broad economic, cultural and political issues. This book traces how diverse cultural encounters inevitably modify conventional categories, standards and codes of architecture, such as domestic identity, its political and economic representations and the negotiations with what is deemed foreign. Theoretical reflections by distinguished scholars are accompanied by interviews with some of the most influential architects practicing today, as well as stunning visual presentations by professional photographers.
None
Entwerfer und Entwurfsdisziplinen reklamieren gegenwärtig selbstbewusst,dass durch Entwerfen neues Wissen generiert wird. Prozessorientierte Abläufe im kreativen Schaffen wie Entwurfsergebnisse in Form realisierter Projekte erweitern ständig den eigenen Wissensstand und den Wissensstand anderer Disziplinen. Wie dieses neue Verhältnis von Wissenserzeugung und Entwerfen sich auf Praxis und Forschung auswirkt und in Modellen erfassbar ist oder wie diese entwurfsbasierte Wissensmehrung für Landschaftsarchitekten systematischer ausgewertet werden kann, beleuchtet Herausgeber Jürgen Weidinger im dritten Band seiner Publikationsreihe. How a design-based knowledge creation offers increasing knowledge about designing, about qualities of (landscape-)architecture and the processes of learning how to design are a focus in third volume of a series published by Professor Jürgen Weidinger.
The debates on ornament have reignited. As the digital age dawns, ornament — the very thing that modernity attempted to abolish at the beginning of the machine age — is making a comeback in architecture, design, and art. Opinions diverge when it comes to ornament, but less in the sense of taste than that the central questions of design crystallise on it. - But how does it now differ from machine ornament and classical ornament? Where do the affinities and continuities exist? Ornament Today raises the question of the change in the structure and status of ornament in the digital age.
Once regarded a secondary consideration, in recent years, materiality has emerged as a powerful concept in architectural discourse and practice. Prompted in part by developments in digital fabrication and digital science, the impact of materiality on design and practice is being widely reassessed and reimagined. Materiality and Architecture extends architectural thinking beyond the confines of current design literatures to explore conceptions of materiality across the field of architecture. Fourteen international contributors use elucidate the problems and possibilities of materiality-based approaches in architecture from interdisciplinary perspectives. The book includes contributions from t...
American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression. When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (...
Neoliberal paradigms and the privatisation of housing have recently been confronted with social movements in many large European metropolises. The political and social need for more participation in housing, for new forms of urban land politics and for specific and powerful rental regulation is obvious. The special book section analyses these dimensions of housing and housing politics in a comparative European perspective and discusses new policy approaches for urban housing. Furthermore, the Jahrbuch StadtRegionoffers scientific articles and reports, as well as a monitoring section and book reviews related to interdisciplinary urban research and planning issues.
Peter Eisenman discusses with architects and philosophers: Jörg H. Gleiter (Germany), Kim Förster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. Through the structure of the monograph, the book represents a dynamic approach to the development of contemporary architectural thought. The dialogue between architects and philosophers with different social and cultural roots creates new agreements and reflections.
Definitions of space are as diverse as the disciplines in which it plays a fundamental role; from science and philosophy to art and architecture, each field’s perception of space is often simplified or reduced. This consequently denies access to ‘new spaces’, whose definitions and perspectives, strategies and impacts on human perception are rarely considered in any cohesive manner. This is where the Aedes Network Campus Berlin (ANCB) programme ‘No Space Without Traits’ came in: particularly through artistic approaches, it aimed to open doors into spatial worlds that until now have remained closed. The symposium ‘PERCEPTION in Architecture. HERE and NOW’ was part of this program...