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W.G. Sebald
This volume presents the work of internationally renowned scholars from Australia, Germany, Italy, South Africa, the UK and the US. The focus on W.G. Sebald’s writing as that of an expatriate author offers a fresh and productive approach to Sebald scholarship. In one way or another, all 28 essays in this innovative, bi-lingual collection take up the notion of Sebald’s experience as an expatriate writer: be it in the analysis of intertextual, transmedial and generic border crossings, on the “exposure to the other” and the experience of alterity, on the question of identity construction and performance, on affinities with other expatriate writers, on the recurring topics of “home”, “exile”, “dislocation” and “migration”, or on the continuing work of “memory” to work through and to preserve the consciousness of a destructive past that has informed the childhood as much as the adult life-world of the author.
Metarepresentation, Self-organization and Art
This book is about the interrelationship between nature, semiosis, metarepresentation and (self-)consciousness, and the role played by metarepresentation in evolution. Representations must have emerged via self-organization from non-representational systems (found in physics, chemistry and biology). Major steps have been the evolution of molecules, macromolecules, life, and finally cultural and symbolic systems. Representations and signs are therefore parts of a huge, possibly branching «ladder of beings». Metarepresentations - images representing images, language about language and language-use, thoughts about thoughts - constitute a fascinating theme within such diverse areas of research...
Topography and Literature
Die Beiträge der gleichnamigen Tagung an der University of the South in Tennessee, USA, untersuchen die Beziehung zwischen der Auswirkung des Berliner Stadtraums auf künstlerische Darstellungen. In einem ersten Teil werden die Wilhelminischen Stadtsymbole und die einsetzende moderne Stadtplanung in Beziehung zu Berliner Flaneuren wie Georg Hermann und Robert Walser gebracht. Der Schwerpunkt des Bandes liegt im zweiten Teil, wo die Auswirkungen der Stadtplanung auf Kunst und Literatur im Berlin der Weimarzeit im Mittelpunkt stehen. In diesem Teil zeigen eine Reihe von Einzeldarstellungen Aspekte der Wechselwirkung von Raum und Kunstprodukt u. a. bei Otto Dix, Walter Ruttmann, Hans Fallada und Alfred Döblin. Den Abschluss bilden Beiträge über das Fortwirken von Weimars Moderne in der heutigen Zeit.
The Art of Taking a Walk
Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space....
Memories of 1968
Some years figure more keenly in the collective memory than others. This volume explores how 1968 has come to be perceived in France, Germany, Italy, U.S., Mexico & China, & how various national preoccupations with order, political violence, individual freedom, youth culture & self-expression have been reflected.
Writing the Revolution
Frontcover -- Contents -- Preface -- Acknowledgments -- Introduction -- 1: Heroes and Martyrs -- 2: Chroniclers and Interpreters -- 3: Critics and Renegades -- 4: Tale Spinners and Poets -- 5: Women of the Revolution -- 6: "1968" and the Media -- 7: "1968" and the Arts -- 8: Zaungäste -- 9: Not Dark Yet: The 68ers at Seventy -- 10: Romantic Relapse or Modern Myth? -- Conclusion -- Notes -- Bibliography -- Index
As German as Kafka
Since the turn of the 21st century, countless literary endeavors by 'new Germans' have entered the spotlight of academic research. Yet 'minority writing', with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the ‘politics of literature’.
Un-Civilizing Processes?
The collapse of the supposedly ‘civilized’ German nation into the ‘barbarism’ of Hitler’s Third Reich has cast a long shadow over interpretations of German culture and society. In the remarkable work of Norbert Elias, himself a refugee from Nazi Germany, a deep concern with the distinctiveness of ‘the Germans’ is linked with an ambitious attempt to work out more general relations between broad historical processes – patterns of state formation, changing social structures – and the character of the individual self, as evidenced in changing thresholds of shame and embarrassment. In critical engagement with Elias’s notion of the ‘civilizing process’, the essays collected...
