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Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. Exploring prints, photographs, paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.
A compelling history of the impact of automobiles on the streets of Rio de Janeiro.
Art of Conversion: Christian Visual Culture in the Kingdom of Kongo
Freedom by a Thread: The History of Quilombos in Brazil brings together some of the best scholars in the world working on the history of quilombos (maroon societies) in Brazil from a variety of perspectives and approaches. Over 40 percent of the total volume of captive Africans arrived in Brazil during a 400-year period of legal and contraband transatlantic slaving. If slavery penetrated every aspect of Brazilian life, so did resistance—and co-existence with it—in the form of small to large-scale quilombos. Palmares and the other quilombos built an exciting history of freedom. Yet, it is a history filled with traps and surprises, advances and setbacks, conflict and commitments, while advancing their immediate interests and more ambitious projects of liberty. These events and many others are part of the history told in this book.
Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and...
Meditations on the paradoxes generated around the ending of western slavery. In his tour-de-force ""Blind Memory"", Marcus Wood read the visual archive of slavery in eighteenth- and nineteenth-century America and Britain with a closeness and rigor that until then had been applied only to the written texts of that epoch. ""Blind Memory"" changed the way we look at everything from a Turner seascape to a crude woodcut in a runaway slave advertisement. ""The Horrible Gift of Freedom"" brings the same degree of rigor to an analysis of the visual culture of Atlantic emancipation. Wood takes a troubled and troubling look at the iconography inspired by the abolition of slavery across the Atlantic di...
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??Homopangeia é uma ficção poética sobre a tensão entre o símio, o homo e o sapiens que habitam, convivem e conformam a espécie humana.