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andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.
Scholarship on Eastern Europe after 1989 often focuses narrowly on the socialist past as authoritarian, dictatorial, or totalitarian. This collection, by contrast, illuminates an additional dimension of post-socialist memory: it traces the survival of hopes and dreams born under socialism and the legacy of the unrealized alternative futures embedded within the socialist past. Looking at contemporary German-language literature, film, theater, and art, the volume analyzes reflections on everyday socialist realities as well as narratives of opposition and dissent. The texts discussed here not only revisit the past, but also challenge the present and help us imagine alternative futures. Rather than framing the unrealized futures envisioned in the pre-1989 era as failures, this collection probes post-socialist memory for its future-oriented potential to rethink issues of community, equity and equality, and late-stage capitalism. Foregrounding the complexities of Eastern European legacies also helps us reimagine the relationship between East and West both in Germany and in Europe as a whole.
“As to Europe—keep it in a gray, ominous, evil fog.”—Ayn Rand (1905–1982) thus commented on the role of Europe in her key novel, Atlas Shrugged (1957). The same could be said of the way Europe features in her own biography and in the general perception of her persona. Even though Rand was born in pre-revolutionary Russia, she is nowadays considered anAmerican phenomenon, whose reach ends at the Atlantic shore. This book lifts the "gray fog" cast over her relationship with Europe, retracing the changing perception of the continent in both her fiction and thought. Her apparent lack of success with European readers is often explained by allegedly different reading tastes. However, a look at her publication history and reception shows that many factors played a role why her work found fewer European than US readers. Finally, an archipelago of European readers and admirers emerges which is testament to Rand's impact on European art and politics.
Twenty-five essays by scholars from the UK, Ireland, Germany and Australia explore two aspects of new German-language literature. The first dozen studies focus on the variety and depth of the 'dialogue' - in the sense of reciprocal influences - between literature, photography, film, painting, architecture, and music. The remaining essays alight on 'Life-Writing' in most of its forms (diaries, memoirs, autobiographies, and autobiographical fiction) and examine its centrality in recent years in German literature, not least because of the shadow which World War Two continues to cast over national life.
Die Absicht, engagiert politisch zu handeln, stellt Akteur*innen immer wieder vor die Frage: Wie sich organisieren? Welche Form der Organisierung ermöglicht welches politische Handeln, welcher Grad an Organisierung ist für ein politisches Handeln notwendig? Wie lässt sich an mehreren Herrschaftsknoten rütteln und Spaltungsabsichten entgegenwirken? Wie gestaltet sich das Verhältnis zwischen politischer Wirkung/Macht und Organisation? "Sich organisieren" beinhaltet dabei zugleich eine Ambivalenz von Singular und Plural, von Einzelnen und Gruppe/Kollektiv/Bewegung/Partei, die/das politische Handlungsmacht wiederum daraus ziehen mag, dass sie aus den vielen eine Stimme formt. In Brechts Fat...
The leading publication on Brecht, his work, and topics of interest to him; this annual volume documents the International Brecht Society's 2016 symposium, "Recycling Brecht." Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume42 features a selection of the papers given and protocols of the events held ...
"... Features over fifty early and largely unknown German videos by and with artists such as Joseph Beuys, Valeska Gert, and Klaus Rinke. It offers an illustrated history of video techniques and features discussions on modern restoration practices. In addition, texts by experts--artists, curators, art theorists, and media scholars--as well as a comprehensive annotated bibliography provide profound insight into one of the most influential genres in twentieth- and twenty-first-century art." --publisher.
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Der Mauerfall vor 25 Jahren leitete den Wiedervereinigungsprozess ein und veränderte das Leben besonders für die Ostdeutschen gravierend. Zwischen Freiheitsgewinn und Sicherheitsverlust stehen die 25 Lebenswege von 1989 bis heute - als Begleitbuch zur gleichnamigen Doku-Serie hier versammelt.
Zweieinhalb Jahrtausende Theater in Europa. Die Chronik zeigt Schauspielkunst unter den verschiedensten politischen, historischen und ästhetischen Vorzeichen und enthält die wichtigsten Personen und Bühnenereignisse, kulturhistorische und politische Hintergründe sowie Daten zum Theaterwesen. Ein ideales Informationsmittel für alle, die praktisch und theoretisch, schreibend oder spielend mit Theater zu tun haben.