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This volume is the most recent installment of the Progress in Motor Control series. It contains contributions based on presentations by invited speakers at the Progress in Motor Control IX meeting held in at McGill University, Montreal, in July, 2013. Progress in Motor Control is the official scientific meeting of the International Society of Motor Control (ISMC). The Progress in Motor Control IXI meeting, and consequently this volume, provide a broad perspective on the latest research on motor control in humans and other species.
Haptic perception – human beings’ active sense of touch – is the most complex of human sensory systems, and has taken on growing importance within varied scientific disciplines as well as in practical industrial fields. This book's international team of authors presents the most comprehensive collection of writings on the subject published to date and cover the results of research as well as practical applications. After an introduction to the theory and history of the field, subsequent chapters are dedicated to the neuro-physiological basics as well as the psychological and clinical neuro-psychological aspects of haptic perception.
A recently proposed novel scheme of dystonia suggests that it is a disorder of neural network. Impairment in any of the “nodes” of the network may result in deficient network activity, causing dystonia. This book aims to present various experimental evidence supporting the network theory of dystonia. Dystonia is the abnormal twisting and turning of the organ and associated involuntary oscillations. Although dystonia is less common than Parkinson’s disease, traumatic brain injury, or stroke, each of these common disorders present with dystonia. Information regarding the brain regions that may be involved in dystonia is surprisingly limited and often conflicting. With chapters written by subject matter experts, this is a unique title that focuses on dystonia as a network disorder. This book would be of interest to basic and clinical researchers with an interest in motor systems and movement disorders.
The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part author...
First published in 1992. This book includes research and excavation in the Royal Necropolis at Thebes presented a meeting to mark seventy fifth anniversary of 1915 when the Earl of Carnarvon and Howard Carter had embarked upon their search for Tut'ankhamiin, a search destined to be crowned with such stunning success eight years later. What has happened in the Valley of the Kings since that discovery was the theme of our meeting, a theme addressed over the following two days by an international panel of leading Egyptologists.
"For centuries, poets and philosophers have written about the power of music, often suggesting that music is the essence of life itself, that music lives within us, that we are music. Scientists have dismissed these writings as flights of poetic fancy, or perhaps metaphor or artistic license. They have considered music to be a product of culture, and that's the way musicians have studied music as well. But have poets and philosophers perhaps had a better sense of the true nature of music? Have they been right all along in suggesting that music is life itself?"--
Ancient Egypt is well known for its towering monuments and magnificent statuary, but other aspects of its civilization are less well known, especially its written texts. Now Texts from the Pyramid Age provides ready access to new translations of a representative selection of texts ranging from the historically significant to the repetitive formulae of the tomb inscriptions from Old Kingdom Egypt (ca. 2700-2170 B.C.). These royal and private inscriptions, coming from both the secular and religious milieus and from all kinds of physical contexts, not only shed light on the administration, foreign expeditions, and funerary beliefs of the period but also bring to life the Egyptians themselves, revealing how they saw the world and how they wanted the world to see them. Strudwick's helpful introduction to the history and literature of this seminal period provides important background for reading and understanding these historical texts.
The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
This handbook is a comprehensive, systematic source of modern nuclear physics. It aims to summarize experimental and theoretical discoveries and an understanding of unstable nuclei and their exotic structures, which were opened up by the development of radioactive ion (RI) beam in the late 1980s. The handbook comprises three major parts. In the first part, the experiments and measured facts are well organized and reviewed. The second part summarizes recognized theories to explain the experimental facts introduced in the first part. Reflecting recent synergistic progress involving both experiment and theory, the chapters both parts are mutually related. The last part focuses on cosmo-nuclear physics—one of the mainstream subjects in modern nuclear physics. Those comprehensive topics are presented concisely. Supported by introductory reviews, all chapters are designed to present their topics in a manner accessible to readers at the graduate level. The book therefore serves as a valuable source for beginners as well, helping them to learn modern nuclear physics.
The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries providing an essential guide to this rapidly growing field.