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When the father of a large family makes a beautiful winter coat, little does he know how much use it will get. Little Gedalia wears the coat with pride all year, but when it gets too tight for him—he’s a growing boy, after all—it’s given to his sister, Yeshaya. Thus begins the journey of the coat, as it’s passed down from child to child—from the sweet Haya to the rambunctious Efraim and so on—falling apart bit by bit during their play until it’s in tatters. Drawn in a clean-line style with a pleasingly muted color palette, The Life of a Coat is a charming portrait of a loving family. Based on the beloved Yiddish poem by the Polish poet Kadya Molodowsky, this gently humorous tale will delight young readers and their parents.
“This novel invites the reader inside the mind of a Polish Jewish woman who has recently arrived in New York just after WWII began in Europe.” —Jeffrey Shandler, author of Anne Frank Unbound Rivke Zilberg, a twenty-year-old Jewish woman, arrives in New York shortly after the Nazi invasion of Poland, her home country. Struggling to learn a new language and cope with a different way of life in the United States, Rivke finds herself keeping a journal about the challenges and opportunities of this new land. In her attempt to find a new life as a Jewish immigrant in the United States, Rivke shares the stories of losing her mother to a bombing in Lublin, jilting a fiancé who has made his way to Palestine, and a flirtatious relationship with an American “allrightnik.” In this fictionalized journal originally published in Yiddish, author Kadya Molodovsky provides keen insight into the day-to-day activities of the large immigrant Jewish community of New York. By depicting one woman’s struggles as a Jewish refugee in the United States during WWII, Molodovsky points readers to the social, political, and cultural tensions of that time and place.
A collection of poems by an accomplished modern Yiddish poet. Kadya Molodowsky (1894-1975) was among the most accomplished and prolific of modern Yiddish poets. Between 1927 and 1974, she published six major books of poetry, as well as fiction, plays, essays, and children's tales. Molodowsky participated in nearly every aspect of Yiddish literary culture that existed in her lifetime, first in Poland, where she lived until 1935, when she emigrated, and then in America. Before her emigration, Molodowsky taught young children in the Yiddish schools of Warsaw. In New York, she supported herself by writing for the Yiddish press and founded a literary journal, Svive (Surroundings), which she edited for nearly thirty years. Briefly during the early 1950s, Molodowsky wrote and edited Yiddish publications in the new state of Israel. She returned there in 1971 to receive the Itzik Manger Prize, the most prestigious award in Yiddish letters.
Kadya Molodowsky, the most prolific woman writer of Yiddish, wrote an autobiographical memoir that left many questions unanswered. Why does she say of her wedding day only that she wore new shoes and fell in the snow? Did she join those who saw communism as the answer to the Jewish problem? Why did she leave Israel after having spent only three years there? It took Zelda Kahan Newman's research at three archives, the YIVO archive in New York, the Municipal Jewish Library in Montreal, and the Machon Lavon archive in Ne'ot Afeka, Israel, to discover the answers to these questions. In this biography, Kahan Newman covers the arc of Molodowsky's life, a life that saw pogroms, World War I, an escape from Europe to the United States, and an attempt to revive Yiddish culture after World War II. Finally, as Kahan Newman notes, it was an ironic twist of fate "that Kadya's death was noted in the U.S., where she felt increasingly alien, and ignored in Israel, where she felt she belonged, if only in spirit."
Examines how Jewish women have used poetry to challenge their historical limitations while rewriting their potential futures. Jewish women have had a fraught relationship with history, struggling for inclusion while resisting their limited role as (re)producers of the future. In Queer Expectations, Zohar Weiman-Kelman shows how Jewish women writers turned to poetry to write new histories, developing queer expectancy as a conceptual tool for understanding how literary texts can both invoke and resist what came before. Bringing together Jewish womens poetry from the late nineteenth century, the interwar period, and the 1970s and 1980s, Weiman-Kelman takes readers on a boundary-crossing j...
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In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of w...
This remarkable volume introduces what is probably the most coherent segment of twentieth-century American literature not written in English. Includes a bilingual facing-page format, notes and biographies of poets, and selections from Yiddish theory and criticism.
Review: "This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004
Taking stock of Yiddish literature in 1939, critic Shmuel Niger highlighted the increasing number and importance of women writers. However, awareness of women Yiddish writers diminished over the years. Today, a modest body of novels, short stories, poems and essays by Yiddish women may be found in English translation online and in print, and little in the way of literary history and criticism is available. This collection of critical essays is the first dedicated to the works of Yiddish women writers, introducing them to a new audience of English-speaking scholars and readers.