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Peppered with heartfelt accounts and charming anecdotes, Urdu film magazines were in great favour with the public from the 1930s through the 1990s – a considerable period of seven decades. Unfortunately, as Urdu got progressively marginalised in later years, these magazines were not archived, for the most part; leading to their inevitable disappearance from popular imagination. Tracking down these lost publications, Yasir Abbasi followed leads – some futile, some fruitful – to obscure towns and people's homes in a last-ditch effort to save valuable records of Indian cinema. As challenging as it was to locate faded issues and original texts, he managed to uncover and translate many fabulous memoirs covering a wide gamut of our favourite old artistes at their candid best. A gloom-laced piece on Meena Kumari by Nargis, a rollicking description by Raja Mehdi Ali Khan of an eventful evening with Manto (not to mention a mysterious woman and a house on fire), Jaidev writing about his chequered career, Balraj Sahni introspecting about the relevance of Hindi and Urdu in films – it's a rich mix of engrossing narratives brought back from oblivion.
Over a thousand people visit the historic city every week, hiking through the ruins of Golconda fort, or gazing at the spectacular Chowmohalla palace. Enthusiastic tour guides deliver tales about the two famous courtesans of that era: Taramati and Premamati, little knowing that the city had a number of courtesans who migrated from different parts of the country, made this city their home, and sang and danced for years. During the times, courtesans were the entertainers for the masses; they were the celebrities in functions, small and big; but with the advent of the talkie, they went into oblivion. The book uncovers details about the courtesans of the era, their mujras, their life style, and about musicians who existed until the fall of Hyderabad in 1948. It also gives an account of singers and dancers who visited the city and gave memorable performances during the time. Further, the book covers various other forms of stage entertainment such as folklore and drama, and cinema.
I can say with absolute certainty that, everybody enjoys watching movies, cinema, films and television. But few, if any, know how a film is made: a film has inbuilt special effects or 'tricks'to make it appealing to audiences. MOVING CAMERAS AND LIVING MOVIES reveals to you ALL about films & Filmmaking; it is a hard and tasking enterprise involving tens of thousands of workers and millions of investment dollars. After reading MOVING CAMERAS...your love for movies will triple. Movie technicians and camera gurus have a license to mould, alter, and manipulate the screen to produce or induce rain, sunlight, snow, fire, or fly any object in space in defiance of gravity or even cause 'accidents'or 'raise' the dead to life. Learn the fascinating, exciting world of film, actresses, actors, fashion, and fictional entities.
On understand the Tantrism in light of the Tantrāloka of Abhinavagupta.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in...
It has been said that the road to hell is often paved with best intentions, and despite the probable best intentions, 'The Nehruvian Era, 1947-64' unfortunately laid the firm foundations of India's misery. The same are detailed in this book. This is the second part of the two-part book on the Nehruvian era (1947-64). Part-I covered the Kashmir botch-up; erasure of Tibet as a nation; the Himalayan blunder of the India-China war; prevention of Pakistan-II by integration of the Hyderabad Princely State into India by Sardar Patel, despite Nehru's muddle-headedness; and the failed foreign and external security policies of Nehru. This part covers the rest, followed by evaluation of the Nehruvian e...
This Monograph Relates To The Life And Works Of Nagaiah Who Dominated The Formative Years Of South Indian Cinema. His Film Career Spanning About 4 Decades Saw Over 300 Films In Telugu, Tamil And Kannada.