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Greg Egan
Greg Egan (1961- ) publishes works that challenge readers with rigorous, deeply-informed scientific speculation. He unapologetically delves into mathematics, physics, and other disciplines in his prose, putting him in the vanguard of the hard science fiction renaissance of the 1990s. A working physicist and engineer, Karen Burnham is uniquely positioned to provide an in-depth study of Egan's science-heavy oeuvre. Her survey of the author's career covers novels like Permutation City and Schild's Ladder and the Hugo Award-winning novella "Oceanic," analyzing how Egan used cutting-edge scientific theory to explore ethical questions and the nature of humanity. As Burnham shows, Egan's collected works constitute a bold artistic statement: that narratives of science are equal to those of poetry and drama, and that science holds a place in the human condition as exalted as religion or art. The volume includes a rare interview with the famously press-shy Egan covering his works, themes, intellectual interests, and thought processes.
Metaphorosis
Beautifully written speculative fiction from Metaphorosis magazine. Snow queens and their daughters, invisible giants pining for vanished lovers, transformations, searches, quests, and voyages of all kinds. The best science fiction and fantasy stories from Metaphorosis magazine's second year.
Annie Without Crow
Michael Swanwick's "Annie Without Crow" is a historial fantasy short story--a Tor.com Original An act of indiscretion from her immortal trickster companion sends Annie and her league of ladies-in-waiting on a time-defying adventure that becomes the inspiration for William Shakespeare. An act of indiscretion from her immortal trickster companion sends Annie and her league of ladies-in-waiting on a time-defying adventure that becomes the inspiration for William Shakespeare. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Accidental Time Machine
Grad-school dropout Matt Fuller is toiling as a lowly research assistant at MIT when, while measuring quantum relationships between gravity and light, his calibrator disappears - and reappears, one second later. In fact, every time Matt hits the reset button, the machine goes missing twelve times longer. After tinkering with the calibrator, Matt is convinced that what he has in his possession is a time machine. And by simply attaching a metal box to it, he learns to send things through time - including a pet-store turtle, which comes back no worse for wear. With a dead-end job and a girlfriend who left him for another man, Matt has nothing to lose by taking a time machine trip for himself. So he borrows an old car, stocks it with food and water, and ends up in the near future - under arrest for the murder of the car's original owner, who dropped dead after seeing Matt disappear before his eyes. The only way to beat the rap is to continue time travelling until he finds a place in time safe enough to stop for good. But such a place may not exist...
The Evolutionary Void
They could find a bright future . . . or the end of everything. From Peter F. Hamilton, The Evolutionary Void is the startling conclusion to the Void trilogy, set in the world of the Commonwealth Saga. Millions of Leaving Dream pilgrims have boarded ships, and are speeding towards the Void at the centre of the galaxy. They are chasing their dream – and expect to find paradise. Yet breaching the Void will trigger its expansion, destroying everything in its path. Paula Myo is desperate to find Void’s latest prophet – Second Dreamer Araminta. As without her, the ships can’t enter the Void. But when Araminta finally chooses her path, it will change things in ways no one could have imagined. And within the Void, Edeard realizes the price of peace may be too high. However, what will this mean for the pilgrims – and the galaxy beyond? 'A huge achievement in science fiction' – SciFiNow
Daughters of Frankenstein
In the field of mad science, women have for too long been ignored, their triumphs misattributed to mere men. Society has seen the laboratory as the province of men. Jacob's Ladder electric arcs, death rays, even test tubes have phallic connotations, subliminally reinforcing the patriarchy. The mother of Mary Shelley, author of Frankenstein, advocated that women appear more masculine to earn respect. If Marie Curie had been allowed to develop her Atomic Gendarmerie for the Institut du radium, surely she would have been awarded her third Nobel Prize, for Peace. Thankfully, the women working to dangerous and/or questionable ends in the pages of Daughters of Frankenstein are unafraid of the patriarchy--indeed, as lesbian mad scientists, they prefer the company and comforts of their own gender. Androids? Pfeh, the gynoid is superior. Etheric dynamos have a more pleasing design, one that is vulvar, than Tesla coils. Eighteen imaginative, if not insane, women; eighteen stories told by some of the finest writers working in queer speculative fiction: Traci Castleberry, Sean Eads, Gemma Files, Amy Griswold, and Melissa Scott.
The Best of Greg Egan
Greg Egan is arguably Australia's greatest living science fiction writer. In a career spanning more than thirty years, he has produced a steady stream of novels and stories that address a wide range of scientific and philosophical concerns: artificial intelligence, higher mathematics, science vs religion, the nature of consciousness, and the impact of technology on the human personality. All these ideas and more find their way into this generous and illuminating collection, the clear product of a man who is both a master storyteller and a rigorous, exploratory thinker. The Best of Greg Egan contains twenty stories and novellas arranged in chronological order, and each of them is a brilliantl...
Culture and Reflexivity in Systemic Psychotherapy
The therapeutic relationship is increasingly becoming a central topic in systemic psychotherapy and cross-cultural thinking. Here, experienced systemic psychotherapists offer their reflections and thoughts on the issues of race, culture, and ethnicity in the therapeutic relationship. The aim is to develop this area of systemic practice, to place culture squarely at the centre of all systemic psychotherapy practice as a model for all psychotherapy practice, to encourage both trainees and experienced systemic psychotherapists to pay attention to race, culture, and ethnicity as central issues in their own and their clients' identities, and to inform researchers who use qualitative research techniques such as ethnography. This book moves the issues of culture, race and equity into the centre of psychotherapeutic practice, including that which involves therapeutic encounters across culture, racial and ethnic divides. It develops an approach to cultural transference and demonstrates that thinking about culture, race and ethnicity does not belong at the margin.
Stand On Zanzibar
There are seven billion-plus humans crowding the surface of 21st century Earth. It is an age of intelligent computers, mass-market psychedelic drugs, politics conducted by assassination, scientists who burn incense to appease volcanoes ... all the hysteria of a dangerously overcrowded world, portrayed in a dazzlingly inventive style. Winner of the Hugo Award for best novel, 1969 Winner of the BSFA Award for best novel, 1969
Creative Positions in Adult Mental Health
This book presents cutting edge developments in Adult Mental Health through the presentation of creative and innovative applications of systemic theory to practice. The first section deconstructs the medical model with some of the current beliefs and practices shaping services whilst placing adult mental health in a wider social and political context. The second half of the book showcases good practice from the field. At either end of the volume "bookends" invite current clients and staff to write about their experiences with the aim of bringing a powerful personal context into the work. We intend to create a shift from third person objectivity to a first person experience as a political act which flows through the book.
