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In this truly one-of-a-kind book, the author/narrator—a representative, in extremis, of contemporary American obsession with beauty, celebrity, transmitted image—finds himself suspended, fascinated, in the remoteness of our wall-to-wall mediascape. It is a remoteness that both perplexes and enthralls him. Through dazzling sleight of hand in which the public becomes private and the private becomes public, the entire book—clicking from confession to family-album photograph to family chronicle to sexual fantasy to pseudo-scholarly footnote to reportage to personal essay to stand-up comedy to cultural criticism to literary criticism to film criticism to prose-poem to litany to outtake —becomes both an anatomy of American culture and a searing self-portrait. David Shields reads his own life—reads our life—as if it were an allegory about remoteness and finds persuasive, hilarious, heartbreaking evidence wherever he goes. Winner of the PEN / Revson Award?
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
The weekly source of African American political and entertainment news.
"Over the past twenty-five years, Scott MacDonald's kaleidoscopic explorations of independent cinema have become the most important chronicle of avant-garde and experimental film in the United States. In this collection of thematically related personal essays and conversations with filmmakers, he takes us on a fascinating journey into many under-explored territories of cinema. MacDonald illuminates topics including race and avant-garde film, the political implications of the nature film, the inventive single shot films of the late 1960s and early 1970s, why men use pornography and what they are looking at when they do, poetry and the poetic in avant-garde film, the widespread failure of film studies academicians to honor those who keep film exhibition alive, and other topics. Several of the interviews--those with Korean filmmaker Gina Kim, French nature filmmakers Claude Nuridsany and Marie Pérennou (Microcosmos), Canadian media artist Clive Holden, formalist/conceptualist David Gatten, and New York's Film Forum director Karen Cooper--are the first substantial conversations with these filmmakers available in English."--Publisher's description.
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Siskiyou County Library has vol. 1 only.
Wayne Long is a proud Murri man, born in St George on the Balonne River, but he is also a child of the Middle Kingdom – his grandfather, Old Billy Long, was part of the Chinese diaspora. Wayne’s story is interwoven with the historical, political and social events that have impacted on inter-racial relations in Australia for more than two hundred years, from Cook’s landing to Mabo, from the Frontier Wars to the 1987 Goondiwindi riots, from the White Australia Policy to Paul Keating’s Redfern speech. It is a Long story – long in history and blood, and long in personal tragedy and resilience – that gives a voice to that compelling presence that has always been here but rarely heard. Wayne Long’s journey, like that of so many Australians with First Nations and Chinese roots, is one of humour, wonder, sadness, resilience. A triumph of magic and endurance. “Wayne is as strong on his long links back to the Middle Kingdom as he is on his Kamilaroi roots. Irrespective of the name of his ancestral village, he knows where he belongs. And just like every home – it doesn’t really matter where you’re from, it’s how you commit to where you’re at that truly counts.”
Josh seemed to have the perfect childhood: a loving family and an apartment-like bedroom setting for him and his sister. There was always something to do, someone to see, or a neighborhood pick-up football game. Then one year everything changed just before Christmas. "Rob, come meet Mr. Rich and his son, Josh." These words changed his life forever.
Ride into the Rockies where love peaks between a tough Texas tomboy and a passionate artist. On her way to Montana, Sally McClellan’s party is attacked and robbed. But then artist Logan McKenzie saves the badly wounded cowgirl who has been left for dead. Can this landscape painter tame the tomboy without breaking her spirit? Sally doesn’t know much about ribbons and lace, but Logan’s presence makes her want to connect with her feminine side. Will this fractured female discover a way to capture the artist’s love—or find herself captured and killed by outlaws?