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This is a pioneering work on "karayuki-san", impoverished Japanese women sent abroad to work as prostitutes from the 1860s to the 1920s. The narrative follows the life of one such prostitute, Osaki, who is persuaded as a child of ten to accept cleaning work in Sandakan, North Borneo, and then forced to work as a prostitute in a Japanese brothel, one of the many such brothels that were established throughout Asia in conjunction with the expansion of Japanese business interests. Yamazaki views Osaki as the embodiment of the suffering experienced by all Japanese women, who have long been oppressed under the dual yoke of class and gender. This tale provides the historical and anthropological con...
As competing American, European, and later Japanese imperial and colonial ambitions spread across the ocean in the nineteenth century, Honolulu emerged as a transnational hub for the exchange of ideas. Rumi Yasutake reveals the pivotal role of women’s organizing in this era of rapid globalization, tracing how diverse movements intersected and converged in Hawai‘i—with worldwide consequences. The Feminist Pacific examines transnational networks in Hawai‘i beginning in 1820, with the arrival of American missionary wives, and through the rise of women’s internationalism in the interwar years. It follows an array of suffragists, missionaries, maternalists, and antiwar activists in thei...
In 1902 the Woman's Christian Temperance Union (WCTU) petitioned the Japanese government to stop rewarding good deeds with the bestowal of sake cups. Alcohol production and consumption, its members argued, harmed individuals, endangered public welfare, and wasted vital resources. This campaign was part of a wide-ranging reform program to eliminate prostitution, eradicate drinking, spread Christianity, and improve the lives of women. As Elizabeth Dorn Lublin shows, members did not passively accept and propagate government policy but felt a duty to shape it by defining social problems and influencing opinion. Certain their beliefs and reforms were essential to Japan's advancement, members couched their calls for change in the rhetorical language of national progress. Ultimately, the WCTU's activism belies received notions of women's public involvement and political engagement in Meiji Japan.
Japanese fiction is just now getting the attention it deserves in the English-speaking world. This study, a rich history of the evolving role of women fiction writers in Japanese, provides annotations for 300 translated works of fiction by 97 Japanese women writers from the 1890s through the 1990s. More than 600 annotations of articles, books, and reviews chronicle women writers in Japanese society, while bibliographical sources provide coverage of their lives with an immediacy not possible in general sources. An informative time line covers the key historical, political and economic events, as well as the people that shaped the contours of women's lives. An index of issues addressed in the ...
This volume looks at the history of Japan from a transnational perspective. It brings to the fore the interconnectedness of Japan's history with the wider Asian-Pacific region and the world. This interconnectedness is examined in the volume through the themes of empire, migration, and social movements.
Winner of the 2020 National Outdoor Book Award for Outdoor Classic! In this coming-of-middle-age memoir, Kim Heacox, writing in the tradition of Abbey, McPhee, and Thoreau, discovers an Alaska reborn from beneath a massive glacier, where flowers emerge from boulders, moose swim fjords, and bears cross crevasses with Homeric resolve. In such a place Heacox finds that people are reborn too, and their lives begin anew with incredible journeys, epiphanies, and successes. All in an America free of crass commercialism and overdevelopment. Braided through the larger story are tales of gold prospectors and the cabin they built sixty years ago; John Muir and his intrepid terrier, Stickeen; and a dynamic geology professor who teaches earth science "as if every day were a geological epoch." Nearly two million people come to Alaska every summer, some on large cruise ships, some in single kayaks--all in search of the last great wilderness, the Africa of America. It is exactly the America Heacox finds in this story of paradox, love, and loss.
This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive for the arts. The volume takes a trans-war (rather than an inter-war) approach, beginning with the cultural politics of painting, poetry, and fiction in Japanese-occupied Korea and Taiwan following World War I. The narrative continues with the impact ...
This book, based on extensive original research, explores the various ways in which Japanese people think about death and how they approach the process of dying and death. It shows how new forms of funeral ceremonies have been developed by the funeral industry, how traditional grave burial is being replaced in some cases by the scattering of ashes and forest mortuary ritual, and how Japanese thinking on relationships, the value of life, and the afterlife are changing. Throughout, it assesses how these changes reflect changing social structures and social values.