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Genocide, War, and Human Survival
From the tragic workings of the Holocaust and Hiroshima to contemporary examples of genocide in Bosnia and Rwanda, this provocative collection of original essays examines the enduring impact of cataclysmic events on the modern human psyche. Inspired by the career of Robert Jay Lifton, the distinguished contributors use a wide range of disciplinary and methodological approaches to probe society, culture, and politics in the nuclear age and they explore the therapeutic value of artistic expression to witnesses and survivors of mass violence. The essays convey a message of hope by displaying the remarkable diversity of human responses to extreme adversity and by concluding that intellectuals an...
The Dream Book
Drawing on rare sources and archival material, Helen Barolini has here collected 56 works by Italian American women writers. The volume features: prose, poetry, one play and a large section of fiction.
New Theatre Quarterly 47: Volume 12, Part 3
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Susan Glaspell
The first book-length critical assessment of American playwright and fiction writer Susan Glaspell
Acts of War
As Karen Malpede points out in her introduction to Acts of War, drama "arose as a complement to, perhaps also as an antidote to, war." Like the great ancient Greek playwrights Aeschylus, Sophocles, and Euripides, the playwrights in this volume see the theater as an art form uniquely capable of addressing the effects of warfare. --
Jewish American Women Writers
Even among scholars of Jewish literature, Jewish American women writers have been largely neglected. Nevertheless, these women have made an enormous contribution to literature and culture. This reference explores the extraordinary achievement of Jewish American women novelists, poets, and playwrights who have written in English. Every effort was made to provide a representative selection of writers, and the final list was determined after consultation with specialists and scholars. The volume is composed mainly of entries arranged alphabetically by writer. Many of these women have an indisputable place in the literary canon, while others are relative newcomers to the field. Still others are being rediscovered after years of neglect. The profiles provide a biography, bibliography, and survey of criticism for each author. Each also provides an analysis of the writer's work by a scholar in Jewish American literature, women's studies, or a related field. An introductory essay defines the scope of Jewish American women's literature, while a special chapter is devoted to writers of autobiographies who document the experience of Jewish women in America.
Improvising Reconciliation
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Improvising Reconciliation is prompted by South Africa’s enduring state of injustice. It is both a lament for the promise, since lost, with which non-racial democracy was inaugurated and, more substantially, a space within which to consider its possible renewal. As such, this study lobbies for an expanded approach to the country’s formal transition from apartheid in order to grapple with reconciliation’s ongoing potential within the contemporary imaginary. It does not, however, presume to correct the contradictions that have done so much to corrupt the concept in recent dec...
Women Pulitzer Playwrights
In the first century of the coveted Pulitzer Prizes, only 11 women have won the prize for drama: Zona Gale (1921), Susan Glaspell (1931), Zoe Akins (1935), Mary Coyle Chase (1945), Ketti Frings (1958), Beth Henley (1981), Marsha Norma (1983), Wendy Wasserstein (1989), Paula Vogel (1998), Margaret Edson (1999), and Suzan-Lori Parks (2002). This book is about them and their landmark plays, beginning with Gale's Miss Lulu Bett, which championed the unmarried woman forced to work in the home of a married relative, and closing with Parks' controversial Topdog/Underdog, which made her the first black woman to win the prize. Drawn from personal interviews with the playwrights and research from arch...
Wendy Wasserstein
Wendy Wasserstein: A Casebook contains in-depth discussions of the playwright's major works, including her recent play 1 An American Daughter. Wasserstein's plays and essays are explored within diverse traditions, including Jewish storytelling, women's writing, and classical comedy. Critical perspectives include feminist, Bakhtinian, and actor/director. Comparisons with other playwrights, such as Rachel Crothers, Caryl Churchill, and Anton Chekhov, provide context and understanding. An interview with the playwright and an annotated bibliography are included.
Traumatic Possessions
Studies of traumatic stress have explored the challenges to memory as a result of extreme experience, particularly in relation to the ways in which trauma resonates within the survivor’s body and the difficulties survivors face when trying to incorporate their experience into meaningful narratives. Jennifer Griffiths examines the attempts of several African American writers and playwrights to explore ruptures in memory after a traumatic experience and to develop creative strategies for understanding the inscription of trauma on the body in a racialized cultural context. In the literary and performance texts examined here, Griffiths shows how the self is reconstituted through testimony—th...
