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Monastic Wales - new approaches is an interdisciplinary collection of essays written by some of the leading scholars working on aspects of medieval Welsh history. The chapters in this volume consider the history, archaeology, architecture and wider cultural, social, political and economic context of the religious houses of Wales between the Norman conquest in the eleventh century, and the dissolution of the monasteries in the sixteenth.
'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, fro...
New approaches to understanding religious women's involvement in monastic reform, demonstrating how women's experiences were more ambiguous and multi-layered than previously assumed. Over the last two decades, scholarship has presented a more nuanced view of women's attitude to and agency in medieval monastic reform, challenging the idea that they were, by and large, unwilling to accept or were necessarily hostile towards reform initiatives. Rather, it has shown that they actively participated in debates about the ideas and structures that shaped their religious lives, whether rejecting, embracing, or adapting to calls for "reform" contingent on their circumstances. Nevertheless, fundamental...
This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe between ca. 1300 and 1700. Examining attitudes to death from a range of disciplinary perspectives, it synthesises current trends in scholarship, challenging the old view that the Black Death and the Protestant Reformations fundamentally altered ideas about death. Instead, it shows how people prepared for death; how death and dying were imagined in art and literature; and how practices and beliefs appeared, disappeared, changed, or strengthened over time as different regions and communities reacted to the changing world around them. Overall, it serves as an indispensable introduction to the subject of death, burial, and commemoration in thirteenth to eighteenth century Europe. Contributors: Ruth Atherton, Stephen Bates, Philip Booth, Zachary Chitwood, Ralph Dekoninck, Freddy C. Dominguez, Anna M. Duch, Jackie Eales, Madeleine Gray, Polina Ignatova, Robert Marcoux, Christopher Ocker, Gordon D. Raeburn, Ludwig Steindorff, Elizabeth Tingle, and Christina Welch.
Essays on the turbulent history of Syon Abbey, focussing on the role played by reading and writing in constructing its identity and experience. Founded in 1415, the double monastery of Syon Abbey was the only English example of the order established by the fourteenth-century mystic St Bridget of Sweden. After its dispersal at the Dissolution, the community survived in exile and was briefly restored during the reign of Mary I; but with the accession of Elizabeth I, some of the nuns and brothers once again sought refuge on the Continent, first in the Netherlands and later in Lisbon. This volumeof essays traces the fortunes of Syon Abbey and the Bridgettine order between 1400 and 1700, examinin...
Balanced coverage of whole history of Christianity in Wales, paying as much attention to earlier periods as the better-known later ones. A contemporary view of the subject, incorporating the latest scholarly research in an accessible and readable form. Guides to further reading specifically aimed at navigating students and others through what they should read after this book.
This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that Burton has made to medieval monastic studies in the British Isles.
A Companion to the English Dominican Province offers an account of Dominican activities in England, Ireland, Scotland, and Wales from their arrival in 1221 until their dissolution at the Reformation. Over the three centuries covered in this volume, the Friars Preachers not only devoted themselves to the cure of souls via preaching and hearing confessions, but they also represented English kings on diplomatic missions, influenced politics and society, and contributed to cultural, intellectual, and religious life across the British Isles. Contributors include: Janet Burton, Alexander Collins, Eleanor J. Giraud, Anne-Julie Lafaye, J. Cornelia Linde, Nigel J. Morgan, Richard Oram, Andrew Reeves, Jens Röhrkasten, John T. Slotemaker, Karen Stöber, Steven Watts, and Jeffrey C. Witt.
This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty. Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s pa...
First full-scale account of the medieval realm of Powys.