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In this era of Twitter and text-messaging, which calls into question previously accepted notions of literacy, today's students need a new and more pragmatic approach to developing writing and research skills. While a number of guides to historical research and writing and several historical methodology texts have appeared in the past several years, no single text accomplishes what Doing History: An Introduction to the Historian's Craft does. Through a unique two-part organization, authors Wendy Pojmann, Barbara Reeves-Ellington, and Karen Ward Mahar offer specific assignments to identify students' weaknesses and build their skills. They provide concrete examples of historical approaches and ...
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
One of Indigo’s Most Anticipated Canadian Books • One of CBC Books’ Works of Canadian Nonfiction to Check Out This Fall A passionate advocate for gender equity, and one of our most respected journalists, explores the most pressing issues facing women in Canada today with humour and heart. The fight for women’s rights was supposed to have been settled. Or, to put it another way, women were supposed to have settled—for what we were grudgingly given, for the crumbs from the table that we had set. For thirty per cent of the seats in Canada’s Parliament; for five per cent of the CEO’s offices; for a tenth of the salary of male athletes; for the tiny per cent of sexual assault cases ...
During the twentieth century sound underwent a dramatic transformation as new technologies and social practices challenged conventional aural experience. As a result, sound functioned as a means to exert social, cultural, and political power in unprecedented and unexpected ways. The fleeting nature of sound has long made it a difficult topic for historical study, but innovative scholars have recently begun to analyze the sonic traces of the past using innovative approaches. Sound in the Age of Mechanical Reproduction investigates sound as part of the social construction of historical experience and as an element of the sensory relationship people have to the world, showing how hearing and li...
"Amanda Thorp was a theater entrepreneur influential in bringing Black vaudeville and early movie theaters to Richmond, Virginia, and more widely to the southeastern US. Thorp, a White woman, opened theaters and nickelodeons exclusively for Black patrons during a period of entrenched segregation and outright opposition to Black patronage in the South. And though Thorp's mission was not expressly philanthropic, she nonetheless expanded access to early movies when demand for the silver screen had just begun to rival the theater business. Wong sheds light on Thorp's early life in Ohio, her travel to a culturally nascent Richmond, and her remarkable contributions to theater culture in the South"--
Along with thousands of other girls who hoped to escape tedious employment and domesticity, June Mathis (1887–1927) started acting as a young teen. After more than a decade of stepping onto stages across the US, she moved into the burgeoning film business and behind the camera to begin a prolific career as a screenwriter and producer for profound movies like The Four Horsemen of the Apocalypse (1921) and Blood and Sand (1922). With her expert use of melodrama and masterful technique, Mathis would eventually become the first female head writer at Metro Pictures. In June Mathis: The Rise and Fall of a Silent Film Visionary, Thomas J. Slater illuminates Mathis's important and complicated life...
This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of t...
Performing Public History explores history-telling as a performance across a wide range of media, including theatre and film, historical re-enactments and living history performances, operas, and video games. Taking historians as storytellers, this book illustrates how the choices they make shape historical meaning. While historians may strive to be objective when they research and write the past, they inevitably draw on their imagination, emotions, and creativity, aligning them with others who make history in public. The book explores issues such as the nature of archives, realism, fact and fiction, accuracy and authenticity, and actants and audiences. It draws on case studies from all parts of the world, offering global perspectives that invite a rethinking about what history is, and how and why we do it. Sharing work by graduate students, the author also offers an appendix of classroom exercises that instructors will find valuable. Written accessibly for students, this volume offers a succinct account of the discipline of history, the field of public history, and how performance is a useful concept for thinking about history work.
How female directors, producers, and writers navigate the challenges and barriers facing female-driven projects at each stage of filmmaking in contemporary Hollywood. Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transf...
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.