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Cameras into the Wild
The cinematographers and directors who shot film in wilderness areas at the turn of the 19th century are some of the unsung heroes of documentary film-making. Apart from severe weather conditions, these men and women struggled with heavy and cumbersome equipment in some of the most unforgiving locales on the planet. This groundbreaking study examines nature, wildlife and wilderness filming from all angles. Topics covered include the beginnings of film itself, the first attempts at nature and expedition filming, technical developments of the period involving cameras and lenses, and the role film has played in wilderness preservation. The individual contributions of major figures are discussed throughout, and a filmography lists hundreds of nature films from the period.
Every Cripple a Superhero
'Fascinating ... compelling ... very funny' Sunday Times 'A defiant call to arms ... affecting ... lingers long in the memory after its final page' Morning Star 'A skilful act of literary witness, sharp, moving and funny' Joanne Limburg 'Christoph Keller ... ranks among the great Swiss writers' Neue Zürcher Zeitung Most stories of disability follow a familiar pattern: Life Before Accident. Life After Accident. For Christoph Keller, it was different: his childhood diagnosis with a form of Spinal Muscular Atrophy only revealed what had been with him since birth. SMA III, the 'kindest one', allows those who have it to live a long life, and it progresses slowly. There is no cure. By the age of ...
Perspectives on German Cinema
This series is devoted to supplying comprehensive coverage of several topics: directors, individual films, national film traditions, film genres, and other categories that scholars have devised for organizing the rich history of film as expressive form, cultural force, and industrial and technological enterprise. It offers perspectives on every significant aspect of its subject within the context of an innovative and exemplary organization of its contributions.
Masterminds of Terror
Based on the only interviews ever carried out with the two main conspirators of the 11th September attacks, MASTERMINDS OF TERROR is the incredible account of how Ramzi Binalshibh and Khalid Sheikh Mohammed plotted the assaults on the World Trade Center, the Pentagon and Capitol Hill in 2001. Using unique investigative material, the authors build a vivid picture of how the catastrophic acts of terrorism were devised over the course of two years and provide incredible material relating to the covert operations that preceded the disaster, the majority of which is previously unpublished. The book contains the full written justification for the attacks by Binalshibh, as well as the entire text o...
Framing the Past
Eleven essays emerging from an October 1988 symposium titled Concepts of Cinema in German History, held at the U. of Illinois at Chicago, explore the complex network of social, political, and religious institution that have influenced the historiography of German cinema and television. Annotation copyright by Book News, Inc., Portland, OR
Early Cinema in Russia and Its Cultural Reception
In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.
Influence in Art and Literature
This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of quotations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of i...
French Cinema
The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.
