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Gray Collection
An engaging survey of a renowned collection of drawings that includes work by artists from Guercino and Hendrick Goltzius to Jean-Auguste-Dominique Ingres and Jaume Plensa One of America's foremost art dealers, Richard Gray--along with his wife, the art historian Mary L. Gray--amassed a remarkable collection of drawings, paintings, and sculpture representing 700 years of Western art. Offering an in-depth look at the Gray Collection's drawings, this volume highlights 36 exceptional works that range from the 15th through the 20th century by artists such as Paolo Veronese, François Boucher, Auguste Rodin, Jackson Pollock, and Tadao Ando. Entries by scholars from a variety of fields provide new perspectives on individual drawings and discuss the ways in which they reflect changes in artistic practice and the evolution of draftsmanship. This handsome publication also features the guest book from the Richard Gray Gallery, a fascinating historical document adorned with drawings and salutations from the likes of Susan Sontag, Ellsworth Kelly, and Tom Wolfe.
Latin American & Caribbean Art
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Conservation in the Library
Product information not available.
The Princeton University Library Chronicle
Vol.1- includes section "Biblia, devoted to the interests of the Friends of the Princeton Library," v.11-
Mies in America
"Mies in America offers readers a deeper immersion into Mies's thought than has been attempted before. Venturing a more complex response than the familiar reading of Mies as a grand master of modernism, these essays retrace the genesis of Mies's design in order to uncover his ambitions, investigate the implicit outlines of the Miesian city, follow the process of designing for America, and look at Mies as a touchstone for contemporary practice."--Jacket.
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Henri Matisse
Henri Matisse is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; and drawings and colour.
