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Greek Myth and Western Art
This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.
The Oxford Handbook of Greek and Roman Art and Architecture
This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.
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Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.
Do I Really Want to Be an Archaeologist?
An edited collection of letters that Karen D. Vitelli wrote from pre-EU Greece and Turkey to family during her later years of graduate school and early field work (at Franchthi Cave, Gordion, and a training session at Corinth) through to the completion of writing her dissertation in Athens during a coup (1968-1974).
Athenian Potters and Painters III
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops Ð Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms Ð plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed paintersÕ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes o...
Thebes in the Fifth Century (Routledge Revivals)
In the fifth century BC Thebes, faced with the challenges presented by defeat and disgrace in the Persian Wars – it had sided with the invaders – succeeded not only in regaining its former prominence, but also in laying the groundwork for its hegemony of Greece in the early part of the fourth century. In Thebes in the Fifth Century, first published in 1982, Nancy Demand examines the political and military history of this renowned city, as well as a number of other aspects of Theban culture and society: its physical layout, religious cults, poetry and music, arts, crafts and philosophy. Other topics of special interest include a chapter on Pythagoreanism in Thebes, an appendix on the evidence for the participation of women in Pythagoreanism, and an investigation, extending throughout the book, of the role of women in Theban society.
Under the Spell of Orpheus
This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations.
Contemporary Art and Classical Myth
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, ...
