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Based on an ethnography of Fort St. George Museum in Chennai (formerly Madras), India, Remembering Empire explores the public and private politics of preserving the memory of the British period in the former seat of the British East India Company. K. E. Supriya shows how the preservation of artifacts and paintings from the British period has become a means through which the imperialist politics of empire are reworked in the cultural memory of the South Indian people. Fieldwork in the museum and extensive interviews across three generations show how Indians reconcile with the Britishness of Indian identity. Woven throughout is the author's probing commentary on the significance of affirmative conversations about racialized pasts in the United States. Remembering Empire is essential reading for anyone interested in postcolonial India and the politics of cultural memory.
The fields of communication and cultural studies have turned to investigating the relations among power, culture, and identity. Shame and Recovery is a critical ethnography, using postcolonial and poststructural perspectives in particular, of communication and cultural identity construction in a shelter for Asian women in Chicago. The cultural codes, values, and symbols of honor and shame illuminate the ways in which Asian women experiencing marital abuse and violence construct their identities. This ethnography also examines the process of recovery through the reconstruction of identity in the shelter. Shame and Recovery reflects on the politics and practices of religious faith as a paradoxical site of cultural control and transformation.
This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.
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Views the tumultuous history and political struggles of the peoples of the Caribbean through the works of novelist George Lamming