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The Thicket
The Thicket opens into intimate encounters with the more-than-human world—rivers, birds, stones—and with a “you” that is not a person, necessarily, but also not not a person: maybe God, maybe an aspect of the self, maybe neither or both. Often speaking of/to the small or overlooked (weeds by a roadside, an abandoned silo), the poems orient themselves toward edges, transitional spaces like the one where fields shift into woods. Where does one body stop? The Thicket takes an interest in becoming, one thing flowing into something else. Excerpt from “At Cape Henlopen” All night wind insists in the trees, its unsteady hush funneling us down into sleep under the tender shelter the oaks, even leafless, make—all night their trunks creak and sigh and speak. Speak to me—I think the word protect until its edges dissolve, inside the tent that wraps us like another, thinner skin, rocked and chastened by the wind that doesn’t cease . . .
Zen Heart
There’s a secret to spiritual practice, and it’s surprisingly simple: learn to be present with attention. Do that, and the whole world becomes your teacher, you wake up to the sacredness of every aspect of existence, and compassion for others arises without even thinking about it. In Zen Heart, Bayda provides a wealth of practical advice for making difficult experiences a valued part of the path and for making mindfulness a daily habit.
The High Shelf
Poetry. Women's Studies. This masterful debut reveals for each reader new depths of nature, self, family, and world by opening our tiniest and most intimate perceptions. Colburn's poetics balances image with absence, silence with sound. These elegant poems take on the questions of our day: can we have our sweet domestic lives when the life of the planet hangs in the balance? What does it mean to create and nurture a new human being in this perilous age?
Book of My Nights
Book of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity. Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailing Li-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry S...
Corridor
"Hamilton is able to sustain a complex narrative through stripped-down poems . . . leavened by a wry humor." —The New York Times Book Review I wanted to read an essay in your wrist. The afternoon seemed endless. Out the window, a lane to the right was bending away, taking with it the figure moving down it. Alone for a quarter of an hour, looking in, plotting the argument, all the marks of lucidity and brevity in that attempt, that benefit of rhetoric: the true but unlikely moment. —from "Summered" Corridor, Saskia Hamilton's third collection, is a study of motion and time. Its glanced landscapes, its lives seen in passing, render the immeasurable in broken narratives. These poems are succinct in order to travel quickly—they have unexpected distances within their reach. They are dauntless and alert in their apprehension of the natural kingdom at the frontier of so many unnatural ones. And they inhabit the realm of contemplation which, for Hamilton, is charged with eros.
Micrographia
Eight years after her revelatory first book, Emily Wilson deepens her focus and extends her vision in new poems of striking intelligence and originality. Venturing into landscapes both interior and exterior, Micrographia explores what Wilson calls “the complex rigged wildness” of geographical, emotional, and verbal states, a territory located “somewhere in that / enjambment within / a cave within the brain.” Following in the tradition of such poets as Dickinson, Bishop, and Ammons, Wilson’s work regards the mind as “enmeshed” with the natural world, always “at the hinge of going over.” Her way of speaking is as precisely calibrated and as restless as her way of seeing, and ...
The Wisdom Way of Knowing
"Drawing on resources as diverse as Sufism, Benedictine Monasticism, the Gurdjieff Work, and the string theory of modern physics, Cynthia Bourgeault has crafted her own unique vision of the Wisdom way in this very accessible book, nicely balanced between concept and practice." —Gerald May, senior fellow, Shalem Institute, and author, Addiction and Grace and Will and Spirit "The spiritual wisdom and practical suggestions in this lively and beautiful book will be helpful to many who find themselves setting out on the interior journey." —Bruno Barnhart, a Camaldolese monk and author, Second Simplicity: The Inner Shape of Christianity "Cynthia Bourgeault's book is a valuable contribution to the much-needed reawakening of spiritual practice within a Christian context. Her sincerity, good sense, metaphysical depth, and broad experience make her a source to be trusted." —Kabir Helminski, Sufi Shaikh, the Threshold Society
Atlas
This debut collection of poetry by Katrina Vandenberg draws on different meanings of the title, carrying lines from one poem to the next and capturing the reverberations of events across time and place. One poem links an image of the poet's sister -- paused in housekeeping work -- to a maid in a Vermeer painting and a woman being made over on Oprah. Another compares an ex-lover's HIV to a 19th-century tulip epidemic. Quiet yet forthright, intimate yet generous, Vandenberg's poems map the intersections of history, art, love, death, and desire.
This Connection of Everyone with Lungs
"In a time of war, dirty air, missile worship when all oracles seem silenced, from every eco-lyric pore these fine auroras of This Connection of Everyone With Lungs have been streaming. Registering 9/11 as cellular rupture, this is a work of full globality which redeems our time, makes us remember all that poetry is capable of as form, frame, syntax linking air, earth, lung; what Emerson meant by lyric language as nothing less than externalization of planet's soul."—Rob Wilson, author of Waking in Seoul "By listing, by naming, the atrocities—the harrowing stats, the scary particulars—in our world-at-endless-war—we might at least exert control over our sanity and extend our mind and compassion to others. It is a connected universe as Spahr so forcefully and powerfully reminds us. This Connection of Everyone with Lungs is a sustained and anaphoric meditation, a catharsis for our predicament."—Anne Waldman
Something Bright, Then Holes
Maggie Nelson's third collection of poems combines a wanderer's attention to landscape with a deeply personal exploration of desire, heartbreak, resilience, accident, and flux. Something Bright, Then Holes explores the problem of losing then recovering sight and insight – of feeling lost, then found, then lost again. The book's three sections range widely, and include a long sequence of Niedecker-esque meditations written at the shore of a polluted urban canal, a harrowing long poem written at a friend's hospital bedside, and a series of unsparing, crystalline lyrics honoring the conjoined forces of love and sorrow. Whatever the style, the poems are linked by Nelson's singular poetic voice, as sly and exacting as it is raw. The collection is a testament to Nelson's steadfast commitment to chart the facts of feeling, whatever they are, and at whatever the cost.
