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In the arena, she shot cigarettes and coins from her trusting husband’s hand. Some women wished she would miss. —from “Little Sure Shot” Kat Cameron’s poetry illuminates the unsung perspectives of the women of the West, creating a compelling narrative that reflects the poet’s own struggles with sorrow. She conjures ghosts and weaves together insights on loss, memory, and the impacts of boom and bust.
Mama is so pretty, so clever, so mama1But sometimes mama gets the urge to reinvent herself, not always with the best results as far as her little girl is concerned. Why can't Mama always see that just being Mama is perfect!REVIEW:?From the mouths of babes, this story reflects all the children who seetheir mothers transform themselves for their many different roles in life,but who cherish the most important role of all - being their MAMA!?-- Adrienne T. O?Connell, B.A., Grad. Dip. Ed., taught children fromindigenous classrooms in the outback to multicultural classrooms in thecity.THEMES:Role playing; role models; parenting; bullying; body image; diet; working mothers; child care; extended fam...
With mixed feelings, Tera Westbrook puts her mother’s house on the market. No sooner does Tera’s realtor assure her that she won’t need to deal with potential buyers, than she is ambushed at a grocery store by a couple who want her house on their cable show. The top seller at the realty brokerage pressures Tera to sign with him. As mayhem continues, her mother’s ghost appears. Minutes later, they find the body of the house inspector. Someone closer to Peggy will be the next victim. But who?
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
You lie awake, needlessly fingering this patchwork guilt. Remorse, a code you live by; distress calls for someone to blame. —from “Threads” Following the deaths of her Mennonite grandparents, Angeline Schellenberg began exploring their influence on her life. Her elegiac love letter to them articulates her grief against the backdrop of their involuntary emigration. She artfully captures the immigrant identity, vital to Canadian culture, in poems that draw on events both personal and global: war and famine, dementia and cancer, hidden sacrifice and secrets. Her poems captivate with themes of ancestry, memory, resilience, and forgiveness. Fields of Light and Stone is a reflection on how family history shapes and moves us.
“Terimalah lelaki yang mencintai kita lebih dari–pada kita mencintai dia.” Bolehkah ungkapan ini digunakan oleh Qaireena Asyikin untuk menerima semula huluran kasih Johan? Lelaki itu pernah dicintainya suatu waktu dahulu, namun dia terpaksa berkorban kasih apabila Johan memilih kakaknya, Qairun Annesa sebagai isteri tanpa sebab yang pasti. Kini, Qairun Annesa telah kembali kepada-NYA. Kemelut membelenggu diri apabila Johan mula menagih kasihnya. Desakan daripada orang tuanya agar menerima Johan juga benar-benar membuatkan dia tersepit.
Arisa kata, dia Puteri Duyung! Kata Izhar, Arisa Dayang Senandung! Hakikatnya, Arisa hanyalah anak nelayan yang tinggal di rumah setinggan. Dia punya cita-cita tinggi untuk mengubah kehidupan keluarga, namun demi adik-adik dia terpaksa melupakan niat untuk melanjutkan pelajaran ke universiti. Baidura dan adiknya, Izhar telah menawarkan pekerjaan sebagai kopi 'lady' di pejabat mereka kepada Arisa dan membawa gadis itu tinggal bersama mereka. Sebagai anak kampung yang polos dan lurus, semuanya begitu asing buat Arisa. Banyak suka duka yang berlaku di dalam era baru kehidupannya. Akhirnya, kehadiran Arisa di dalam keluarga itu menjadi buah mulut saudara-mara. Demi menutup mulut tempayan yang se...