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Linked poems that uncover the ache and whimsy of raising children on the autism spectrum. Through public judgments, detouring dreams and unspoken prayers, Tell Them It Was Mozart, Angeline Schellenberg's debut collection, traces both a slow bonding and the emergence of a defiant humour. This is a book that keens and cherishes, a work full of the earthiness and transcendence of mother-love. One of the pleasures of this collection is its playful range of forms: there are erasure poems, prose poems, lists, found poems, laments, odes, monologues and dialogues in the voices of the children, even an oulipo that deconstructs the DSM definition of autism. From a newborn "glossed and quivering" to a ...
In her own words, "I mishear the most beautiful things." Acclaimed poet and spoken word artist Angeline Schellenberg pulls focus on societal convention and norms surrounding autism in her groundbreaking collection of poetry. The collection riffs upon the mondegreen, a misunderstood or misinterpreted word or phrase resulting from a mishearing of the lyrics of a song in connection to her lifelong struggle with autism. Weaving the sights and sounds we perceive with the questions we dare to ask, Mondegreen Riffs explores the intersection of sensation, meaning, and wonder. This collection intertwines three series: prose poetry on the social history of color; pieces impersonating musical instruments; and lyrical answers to odd online inquiries such as "If I eat myself, would I become twice as big or disappear completely?"
You lie awake, needlessly fingering this patchwork guilt. Remorse, a code you live by; distress calls for someone to blame. —from “Threads” Following the deaths of her Mennonite grandparents, Angeline Schellenberg began exploring their influence on her life. Her elegiac love letter to them articulates her grief against the backdrop of their involuntary emigration. She artfully captures the immigrant identity, vital to Canadian culture, in poems that draw on events both personal and global: war and famine, dementia and cancer, hidden sacrifice and secrets. Her poems captivate with themes of ancestry, memory, resilience, and forgiveness. Fields of Light and Stone is a reflection on how family history shapes and moves us.
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Adam, Eve, & the Riders of the Apocalypse brings together 122 poems about the people from the stories in the Bible. It arises from the meditations and fascinations of gifted writers, who ask themselves about the significance of these stories for our lives today. This anthology is a companion for your own reflections—a place for imagination and inquiry—and a collection of poems for you to share with the people who ponder the beauty, and mystery, and significance of Scripture along with you.
What do reviews of the Winnipeg music scene have in common with crappy advice on growing a garden? The worm. This book’s worm is Steve Schmolaris, a man of discerning taste with over forty-five years of servitude and dedication to Winnipeg music under his belt, who has devoted his life to extolling its virtues, who delicately unfolds each song—to eat, to hold, to plant like seeds—to reflect their singular beauty and uniqueness back to them. Here, you will find a compendium of Winnipeg’s proud, fourth-best local music review site of the same name, written in the same acerbic, confrontational voice readers will be used to. Taking up an eclectic range of artists and genres, Bad Gardenin...
The McMaster Journal of Theology and Ministry is an electronic and print journal that seeks to provide pastors, educators, and interested lay persons with the fruits of theological, biblical, and professional studies in an accessible form. Published by McMaster Divinity College in Hamilton, Ontario, it continues the heritage of scholarly inquiry and theological dialogue represented by the College’s previous print publications: the Theological Bulletin, Theodolite, and the McMaster Journal of Theology.
Kat Cameron’s poetry illuminates the unsung perspectives of the women of the West, creating a compelling narrative that reflects the poet’s own struggles with sorrow. She conjures ghosts and weaves together insights on loss, memory, and the impacts of boom and bust.
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