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"The Artist as Producer confronts the problem of making a politics with art. Gough's balanced rigor in mining obscure archives on the one hand, while performing brilliant readings of recalcitrant artworks on the other gives her account of Constructivism's utopian promise and less-than-utopian outcome great texture. She has produced something very rare: an art-historical study that not only adds to our knowledge but captures the intense poignancy of modern art's serious ambition to undertake a revolution of—and with—form."—David Joselit, Professor, History of Art, Yale University "To see a sculptor plunging into the politics and the cultural politics of the factory floor is a rare sight...
The real estate market in Germany has recovered remarkably well from 2008/09 crisis. Portfolio transactions, infrastructure projects as well as investments in commercial and residential real estate are on the rise. This publication provides investors, property developers and advisers with a practical guideline to the legal, tax and commercial framework for real estate investments in Germany.
Summarizes and interprets the latest research and program outcomes in early intervention, for professionals in fields including ECE, developmental psychology, physical therapy, speech-language pathology, and pediatrics, as well as graduate students and policymakers. Contains sections on preventive i
Temat okupacji, rozumianej jako narzucony system terroru, gwałtownie zmieniający dane społeczeństwo i dotykający każdego obywatela, nie jest ani przedmiotem gruntownych badań historycznych, ani głównym elementem pamięci kulturowej. Okupacja, jako doświadczenie historyczne, budzi też w wielu krajach odmienne recepcje, a w Niemczech w pamięci komunikatywnej i kulturowej kojarzona jest z okresem 1945–1949, gdy Niemcy znajdowały się pod pokojową okupacją aliantów. Z perspektywy różnorodnych doświadczeń okupacji w Europie oraz jej znaczenia dla zrozumienia traumy i interpretacji wojny w Polsce nowe spojrzenie na codzienność 1939–1945 i jej pamiętanie staje się ważny...
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Readership: Students and scholars of ritual studies, religious studies, anthropology
Industrial Archaeology sets out a coherent methodology for the discipline which expands on and extends beyond the purely functional analysis of industrial landscapes, structures and artefacts to their cultural meaning.
The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.