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An original investigation into the relation between dance and political economy, looking in particular at the points where politics, economics and culture intersect.
This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
An original investigation into the relation between dance and political economy, looking in particular at the points where politics, economics and culture intersect.
This book examines haunting concepts, relations, and artworks that demand our attention. Its premise is that, under capitalism, political and ethical considerations are subordinated to economic ones, and this subordination creates ghost worlds. This book proposes that the investigation of performance works as economies can make these insights visible. It positions the examination in relation to contemporary critiques of capitalism, neo-feudalism, and their by-products, and proposes and develops the notion of 'oikonomia', as a means to theorise artworks which, through their house (oikos) rules (nomoi), propose ethico-political challenges to the economies in which they are embedded. Its intere...
This choreographed book is dedicated to the phenomenon of the bare body in contemporary performance. This work of artistic research draws on philosophical, biopolitical, and ethical discourses relevant to the appearance of bare bodies in choreography, setting a framework for a reflexive movement between affect and ethics, sensuous address and response. Acts of exposure and concealment are culturally situated and anchored, and are examined for their methodological and nanopolitical significance. The concepts of anarchic responsibility and choreo-ethics lead to a reevaluation of contact, relationship, and solidarity. Choreography is thus understood as a complex field of revelatory experiences based on ecologies of aesthetic perception and ethico-political agency.
This book opens a discussion on bodies, gender, and decolonial horizons, subjects that are increasingly becoming a political front in the search for justice. It offers an in-depth look at the positions and current developments in decolonial theory, Black Marxism, trans* studies, and contemporary performance research and practice. The focus is on decolonial theory and trans* bodies, bringing forth a discussion of otherness shaped by race, class, and trans*. What kind of body, movement, and politics can be conceived to attack the neoliberal current with its accelerated digital changes and seemingly dispersed, but in reality hyper-flexible, bureaucratic controls?
An examination of neoliberal ideology’s ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices Post-Thatcher, British cultural politics were shaped by the government’s use of the arts in service of its own social and economic agenda. Restaging the Future: Neoliberalization, Theater, and Performance in Britain interrogates how arts practices and cultural institutions were enmeshed with the particular processes of neoliberalization mobilized at the end of the twentieth century and into the twenty-first. Louise Owen traces the uneasy entanglement of performance with neoliberalism's marketization of social life. Focusing on this...
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world. Contemporary movement based performers ground their practices in understanding the interplay of gravity and the body. Somatic intentional falling provides them a creative resource for developing both self and environmental support. The physical, metaphorical and psychological impact of these practices informs the theories and perspectives presented in this book. As falling can be dangerous and painful, encourag...
Introduction / Christel Stalpaert, Guy Cools and Hildegard De Vuyst -- A dramaturgy of stuttering / Guy Cools -- 'An experiment in democracy' : Alain Platel's collaborative dramaturgy / Katalin Trencsényi -- Alain wins a prize / Hildegard De Vuyst -- Being alone together : Alain Platel and the 'disturbance of violent relatedness' in La Tristeza Complice (1995), pitié! (2008) and tauberbach (2014) / Ann Cooper Albright -- Desire amongst the dodgems : Alain Platel and the scene of seduction / Adrian Kear -- Alain Platel's quest for embodied salvation : a musical perspective on C(H)ŒURS / Francis Maes -- Skin tests : views on nicht schlafen / Claire Besuelle -- Platel is a barbarian / Hildeg...