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This edited collection brings together academics, artists and members of civil society organizations to engage in a discussion about the ideas of living with others, through concepts such as cosmopolitanism, solidarity, and conviviality, and the practices of doing so. In recent years, right wing and populist movements have emerged and strengthened across Europe and North America, rejecting the value of cultural, ethnic and religious plurality. Governments in Europe and North America are weakening their commitment to the international refugee regime, erecting new barriers to entry. Even as governments fail to accommodate growing pluralism, however, civil society initiatives have emerged with ...
This is an open access title available under the terms of a CC BY-SA 4.0 License. It is free to read, download and share on Elgaronline.com. This book examines the role of imagination in initiating, contesting, and changing the pathways of global cooperation. Building on carefully contextualized empirical cases from diverse policy fields, regions, and historical periods, it highlights the agency of a wide range of actors in reflecting on past and present experiences and imagining future ways of collective problem solving.
This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by...
This book engages with current debates on ‘planetary urbanization’ and the nature of urban political theory but notably considers the implications of illiberalism on space, territory, and power. Such a focus is timely, as illiberalism (across various settings and terrains) is producing, and embedded in, increasingly complex, hybrid, multi-scalar, non-linear, and globally networked flows. Through ordinary explorations drawn from diverse empirical case studies (China, the United States, India, South Korea, and Singapore) and via mixed methodologies, the chapters in this volume seek to advance theory that moves beyond assumptions and certainties of what illiberalism is, how and where it ope...
How to transcend land grab economies, even by means of art? The reader REALTY moves from the safety of critique to the vulgarity of suggestions. The pandemic's effect on mobility presents a historic opportunity. Rarely has criticism of our extractive artworld logic of one-place-after-another been louder. REALTY is a long-term curatorial program by Tirdad Zolghadr (*1973), initially commissioned by the KW Institute for Contemporary Art. With the help of numerous artists and experts who contributed over 2017–2020, this reader revisits how contemporary art can contribute to decisive conversations on urbanism. TIRDAD ZOLGHADR (*1973) is a curator and writer. He is currently artistic director of the Sommerakademie Paul Klee. Curatorial work over the last two decades includes biennial settings as well as long-term, research-driven efforts, most recently as associate curator at KW Institute for Contemporary Art Berlin, 2016-20.
The West German novel, radio play, and television series, Through the Night (Am grünen Strand der Spree, 1955-1960), which depicts the mass shootings of Jews in the occupied Soviet Union during World War II, has been gradually regaining popularity in recent years. Originally circulated in post-war West Germany, the cultural memories of the holocaust embedded within this multi-medium construction present different forms of historical conceptualization. Using numerous archival sources, Microhistories of Memory brings forward three comprehensive case studies on the impact, actors, and materiality of accounts surrounding questions of circulation of cultural memory, audience reception, production, and popularity of Through the Night in its different mediums since its first appearance.
This volume offers a comprehensive overview of the range of varieties of English spoken on the island of Ireland, featuring information on their historical background, structural features, and sociolinguistic considerations. The first part of the volume explores English and Irish in their historical framework as well as current issues of contact and bilingualism. Chapters in Part II and Part III investigate the structures and use of Irish English today, from pronunciation and grammar to discourse-pragmatic markers and politeness strategies, alongside studies of specific varieties such as Urban English in Northern Ireland and the Irish English spoken in Dublin, Galway, and Cork. Part IV focuses on the Irish diaspora, with chapters covering topics including Newfoundland Irish English and Irish influence on Australian English, while the final part looks at the wider context, such as the language of Irish Travellers and Irish Sign Language. The handbook also features a detailed glossary of key terms, and will be of interest to a wide range of readers interested in varieties of English, Irish studies, sociolinguistics, and social and cultural history.
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In the context of critical museology, museums are questioning their social role, defining the museum as a site for knowledge exchange and participation in creating links between past and present. Museum education has evolved as a practice in its own right, questioning, expanding and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as an integrated practice? This question is addressed by international contributors from different types of museums. For anyone interested in the future of museums, it offers insights into the diversity of positions and experiences of translating the »grand designs« of museology into practice.
While German tourists visiting Dresden are no longer quite as shocked by the old buildings they see everywhere, they do still irritate tourists from abroad. Everything around the Frauenkirche [Church of Our Lady] smells of renovation and Disneyland so one is made aware of the reconstruction. However, at the very latest, questions start to arise on the way to Pillnitz, via the villa quarter Blasewitz and the 'Blaue Wunder' [Blue Wonder] Bridge. How could all of this have survived the firestorm? After all, it was a second Hiroshima, wasn't it? Dresden is legend - a beautiful, innocent city of art and culture - and the German victimisation narrative without peer, bombed unnecessarily shortly be...