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Volume 2 of 2.
Since its inception in 1974, the Hawai'i Award for Literature has recognized the work of writers who have captured important dimensions of the story of Hawai'i and of the many groups of people who have made Hawai'i their home. Historians, linguists, folklorists, and practitioners of other disciplines of cultural study, as well as poets, novelists, and playwrights, are among the contributors to this extensive anthology celebrating more than two decades of the best writings in the Islands.
Anthropologist and folklorist Katharine Luomala's (1907-1992) "The Menehune of Polynesia ..." was published as a bulletin of the Bernice P. Bishop Museum in 1951. This paper examined the stories and myths of little people in Hawaii and other island cultures throughout Oceania. She discusses potential origins for these tales and notes shared characteristics between the folk stories of different people groups. Students of folklore will find much of interest, as will anthropological mystery enthusiasts.
Hawaiian legends figure greatly in the image of tropical paradise that has come to represent Hawai'i in popular imagination. But what are we buying into when we read these stories as texts in English-language translations? Cristina Bacchilega poses this question in her examination of the way these stories have been adapted to produce a legendary Hawai'i primarily for non-Hawaiian readers or other audiences. With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructe...
Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and p...
A critical examination of the complex legacies of early Californian anthropology and linguistics for twenty-first-century communities. In January 2021, at a time when many institutions were reevaluating fraught histories, the University of California removed anthropologist and linguist Alfred Kroeber’s name from a building on its Berkeley campus. Critics accused Kroeber of racist and dehumanizing practices that harmed Indigenous people; university leaders repudiated his values. In The Unnaming of Kroeber Hall, Andrew Garrett examines Kroeber’s work in the early twentieth century and his legacy today, asking how a vigorous opponent of racism and advocate for Indigenous rights in his own e...
The present Yearbook (which is the sixth in the series) is subtitled Economy, Demography, Culture, and Cosmic Civilizations. To some extent it reveals the extraordinary potential of scientific research. The common feature of all our Yearbooks, including the present volume, is the usage of formal methods and social studies methods in their synthesis to analyze different phenomena. In other words, if to borrow Alexander Pushkin's words, ‘to verify the algebra with harmony’. One should note that publishing in a single collection the articles that apply mathematical methods to the study of various epochs and scales – from deep historical reconstruction to the pressing problems of the moder...