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Onward and Upward in the Garden
In 1958, Katherine White, a writer for "The New Yorker, " published a series of 14 gardening pieces. Posthumously collected by her husband, "Charlotte's Web" author E.B. White, "Onward and Upward in the Garden" is "more than a book about flowers; it is itself a bouquet, the final blooming of an extraordinary sensibility" ("The New York Times").
This Old Man
Roger Angell, the acclaimed New Yorker writer and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it’s a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, “This Old Man,” what links the pieces is Angell’s unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other.
Some Writer!
In this stunning, first-ever fully-illustrated biography of legendary author E.B. White, Sibert medalist and Caldecott Honor winner Melissa Sweet uses White's letters, photos, and mementos, as well as her original collaged art, to tell the true story of one of the most beloved authors of all time.
Two Gardeners
The story of an unexpected friendship between two remarkable women- New Yorker editor Katharine White and southern garden writer Elizabeth Lawrence. On March 1, 1958, Katharine White published her first garden column in The New Yorker under the title "Onward and Upward in the Garden." Soon after, a reader from Charlotte, North Carolina, Elizabeth Lawrence, wrote her a fan letter filled with suggestions and encouragement. When White wrote back her appreciation, she also reported on her Maine garden and discussed the plants and books that interested her. Thus began a correspondence between the women that would last for almost two decades, the last letter written within weeks of Katharine's dea...
The Mark Inside
In 1919, Texas rancher J. Frank Norfleet lost everything he had in a stock market swindle—twice. But instead of slinking home in shame, he turned the tables on the confidence men. Armed with a revolver and a suitcase full of disguises, Norfleet set out to capture the five men who had conned him, allowing himself to be ensnared in the con again and again to gather evidence on his enemies. Through the story of Norfleet’s ingenious reverse-swindle, Amy Reading reveals the fascinating mechanics behind the big con—an artful performance targeted to the most vulnerable points of human nature—and invites you into the crooked history of a nation on the hustle, constantly feeding the hunger and the hope of the mark inside.
Letters of E.B. White
Letters of E.B. White touches on a wide variety of subjects, including the New Yorker editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985. Book jacket.
Let Me Finish
Essays from the award-winning New Yorker writer and author of This Old Man: “Witty, worldly, deeply elegiac, and…heartbreaking.”—The Boston Globe For more than fifty years, as both editor of and contributor for The New Yorker, Roger Angell has honed a reputation as a master of the autobiographic essay—sharp-witted, plucky, and at once nostalgic and unsentimental. In Let Me Finish, Angell reflects on a remarkable life (while admitting to not really remembering the essentials) and on its influences large and small—from growing up in Prohibition-era New York, to his boyhood romance with baseball, to crossing paths with such twentieth-century luminaries as Babe Ruth, John Updike, Joe...
The New Yorker
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Here at the New Yorker
For over 60 years, Brendan Gill has been a contented inmate of the singular institution known as "The New Yorker", long known as a home for the unemployables. This delightful tour of New York's most glorious madhouse and its wards and attendants, including William Shawn, Harold Ross, James Thurber, Katherine and E.B. White, John O'Hara, Edmund Wilson, and others, has been updated with a new Introduction detailing the reign of Robert Gottlieb and Tina Brown. 31 illustrations.
The Country of the Pointed Firs
The narrator, a Bostonian, returns after a brief visit a few summers prior, to the small coastal town of Dunnet, Maine, in order to finish writing her book. Upon arriving she settles in with Almira Todd, a widow in her sixties and the local apothecary and herbalist. The narrator occasionally assists Mrs. Todd with her frequent callers, but this distracts her from her writing and she seeks a room of her own. Renting an empty schoolhouse with a broad view of Dunnet Landing, the narrator can apparently concentrate on her writing, although she continues to spend a great deal of time with Mrs. Todd, befriending her hostess and her hostess's family and friends. The schoolhouse becomes a place of mythic significance and for the narrator the location is a center of writerly consciousness from which she makes journeys out and to which others make journeys in, aware of the force of the narrator's presence, out of curiosity, and out of respect for Almira Todd.
