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Falling Creatures
Cornwall, 1844. On a lonely moorland farm not far from Jamaica Inn, farmhand Shilly finds love in the arms of Charlotte Dymond. But Charlotte has many secrets, possessing powers that cause both good and ill. When she's found on the moor with her throat cut, Shilly is determined to find out who is responsible, and so is the stranger calling himself Mr Williams who asks for Shilly's help. Mr Williams has secrets too, and Shilly is thrown into the bewildering new world of modern detection.
The Visitor
He turns and waves, twenty feet or so away... she can't swim as strongly as usual. She can taste blood again. Nicholas bobs where he is, letting her catch up. Her nightdress blooms around her like a sail. She reaches him and he touches her arm, very gently. She wants to grab him, hold him tightly in the water. Would he let her? Cornwall. 1880. Pearl, Jack and Nicholas play among the fishing boats of Skommow Bay, not understanding the undercurrents beneath their games. As they grow older, the choices they make shape the pattern of their lives. 1936 and everything has changed. The fish have stopped coming and the Pilchard Palace is abandoned. Pearl, exiled in favour of holidaymakers, turns to the memory of her great love, and her greatest loss. She's waiting for her own visitor. Will he come for her? The sea's ghosts are stirring. The past can be more alive than the present... A cliff top romance in the style of Daphne du Maurier and set in a fictional village based on St Ives, The Visitor is a novel steeped in the coast and people of Cornwall. It shivers and flashes with visions as elusive as the fish at the centre of its story.
The Mermaid's Call
Cornwall, 1845. Shilly has always felt a connection to happenings that are not of this world, a talent that has proved invaluable when investigating dark deeds with master of disguise, Anna Drake. The women opened a detective agency with help from their newest member and investor, Mathilda, but six long months have passed without a single case to solve and tensions are growing. It is almost a relief when a man is found dead along the Morwenstow coast and the agency is sought out to investigate. There are suspicions that wreckers plague the coast, luring ships to their ruin with false lights - though nothing has ever been proved. Yet with the local talk of sirens calling victims to the sea to meet their end, could something other-worldly be responsible for the man's death?
The Magpie Tree
Jamaica Inn, 1844: the talk is of witches. A boy has vanished in the woods of Trethevy on the North Cornish coast, and a reward is offered for his return. Shilly has had enough of such dark doings, but her new companion, the woman who calls herself Anna Drake, insists they investigate. Anna wants to open a detective agency, and the reward would fund it. They soon learn of a mysterious pair of strangers who have likely taken the boy, and of Saint Nectan who, legend has it, kept safe the people of the woods. As Shilly and Anna seek the missing child, the case takes another turn - murder. Something is stirring in the woods and old sins have come home to roost.
We Could Be Anywhere By Now
Katherine Stansfield has made a name for herself both as a wryly witty poet of the everyday seen 'aslant' and as a popular novelist of crime and fantasy. Her second poetry collection, We Could Be Anywhere by Now, is pointedly full of poems about placement and displacement. After a childhood on Bodmin Moor in Cornwall, she moved to mid Wales, and this book explores relationships between these two places along personal and linguistic lines, as well as notions of insider / outsider in Wales and England, learning languages, and the languages of learning to leave places behind. New horizons beckon: we voyage to Italy, Canada, the United States. Stansfield is never eager to pronounce but always ap...
Playing House
Katherine Stansfield's 'Playing House' introduces us to a vibrant new voice in British poetry. A concise wit, a distinct voice and a unsettling view of the domestic, characterize these poems who's subjects are the ordinary as viewed through the author's satirical yet sympathetic eye.
Your Still Beating Heart
'This tense thriller is set in Eastern Europe but more particularly in the landscape of the human heart, exploring its darkness and depravity as well as its capacity for love. The excitement builds until it reaches a climax of almost mythic ferocity and power.' —Richard Francis'Keevil's writing is unmissable...quite simply a brilliant writer.' —Viv GroskopAll it takes to change your life is a single moment...A random stabbing on a London bus leaves a young woman widowed and detached from her previous world.Stripped of a future that should have been hers, she impulsively books a trip to Prague – the city where she and her husband got engaged. But in the midst of a bleak winter, isolated and numb, she can do little more than wander the cobbled streets – until she receives an intriguing proposition. There's a job for someone just like her. All she needs to do is pick something up, and drive back. Just once. Only ever once.Stylish and daring, this high-stakes thriller explores what happens when a curve ball skews life out of all recognition.
Invisible Borders
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The Middler
A gripping middle-grade story of a community in which birth order determines social status—until one middle child starts to question the founding truths of her society.
