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Beginning with a Best American award-winning narrative, Kathleen Hill’s memoir explores defining moments of a life illuminated by novels, read in Nigeria and France and at home in New York. As a child in a music class where a remarkable teacher watches over a classmate marked for tragedy, the author by chance reads Willa Cather’s novel, Lucy Gayheart, and is prepared against her will for death by drowning. And prepared for the teacher’s confessions to the class of a frustrated ambition to become a pianist, her regret for a life that will never be. Later, recently married and living in a newly independent Nigeria, a teacher now herself, the author gives Achebe’s Things Fall Apart to h...
Kathleen Hill’s finely wrought novel tells the story of four generations of an Irish-American family that has lived in the same house for almost a century. Grieving the death of her mother and the imminent sale of the house, the narrator sets out to re-create the hidden, intimate lives of those who came before. Through a series of vignettes she conjures a family devastated in each generation by the loss of a child. The narrator’s project, inspired at the outset by silences that extend backward to the untold story of the Famine, turns into a vast exploration of loss, inheritance, and the nature of memory. In a voice both stark and lyrical, the narrator calls up transformative, often tragic, moments in lives that have shaped her own. Remembering a past she never knew, she hopes to release from its sway the vanishing present. Who Occupies This House is a strikingly beautiful account of the difficult reckoning with one’s family legacy that every adult faces. Punctuated by photographs and images that bring the narrative into sharp focus, it will draw comparisons to such divergent writers as W.G. Sebald and Kate O’Brien.
An Irish-American woman, who had lived in Niger, returns after seventeen years to visit her daughter Zara, who works in a village clinic treating children who are suffering from starvation.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
To maintain the pace at which he worked as a parliamentarian, cabinet minister, war leader, writer and painter, Churchill required a vast female staff of secretaries, typists and others. For these women Churchill was an intimidating boss; he was a man of prodigious energy, who imposed unusual and demanding schedules on those around him, and who combined a callous-seeming disregard with sincere solicitude for their well-being. Churchill was no ordinary employer: he did not live by the clock on the office wall. He expected those who worked with and for him to live by that timetable. Despite these often unreasonable demands, Churchill inspired an enduring loyalty and affection amongst the women...
Honor is misunderstood in the social sciences. The literature lacks both accuracy and precision in its conceptual development such that we no longer say what we mean because we have no idea what we’re saying. We use many terms to mean honor and mean many different ideas when we refer to honor. Honor: A Phenomenology is designed to fix all of these problems. A ground-breaking examination of honor as a metaphenomenon, this book incorporates various structures of social control including prestige, face, shame and affiliated honor and the rejection of said structures by dignified individuals and groups. It shows honor to be a concept that encompasses a number of processes that operate together...
‘The Daughters of Red Hill Hall ...[has] all the intrigue, mystery, relationship drama and edge of your seat secret reveals any reader could want.’ – Books and Boardies
Description The natural philosophy shared in Little Davey has emanated directly from the author's extensive life experience and gathered knowledge in managing cognitive dissonance due to intra-personal conflicts, arising directly out of inter-personal conflicts. Ms. Hill's quest for wisdom and understanding began over half a century ago in an objectified childhood and has extended throughout a life of episodic tragedies by human agency into the present. Little Davey is the summation of her understanding for the concept - power - as a life's energy force and a shared human drive, which has historically been deceptively acculturated by ulterior-motivation against self-empowerment into a societally accepted illusion -- generating ignorance of our true nature, thereby producing suffering. Kathleen Hill is presently pursuing certification in law, specifically welfare laws, as a precursor to founding the social enterprise DS-n-SP-CAFT (Peer Legal Counselling and Advocacy). About the Author Kathleen is an inspirational figure in the global service user/survivor movement. Kathleen lives in Canada where she campaigns for human rights and the rights of mental health service users.
An Irish-American woman grieves the death of her mother and the impending sale of the house that has belonged to her family for four generations, prompting her to go through letters, journal, and mysterious areas of the house to discover the devastation and loss experienced by her ancestors.
Willa Cather's Lucy Gayheart gropes a wistful way back to the time of the horse and buggy, when some men and some women loved deeply and truly and make themselves miserable and hugged their misery. Small towns, no less than Vienna and the Paris Left Bank and a Greenwich Village as dirty and noisy then as it is now, had romances of which they had a right to be proud. So it is with Lucy Gayheart, written in 1935, When she wrote the novel, Cather had just turned 60 and was in tune with the zeitgeist that, shortly, would produce the works of Jean-Paul Sartre and Albert Camus. In her homey yet subtle way, she tapped into the modern loss of faith. And she created an existential novel. A romance, a...