Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Kathleen McEnery
None
American Women Modernists
The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.
Seeing America
A stunning, full-color volume that examines 82 pieces in the University of Rochester Memorial Art Gallery's American collection and their connections to American history, culture, literature, and politics. Seeing America is the first-ever catalog of the University of Rochester Memorial Art Gallery's American collection. Founded in 1913, the Memorial Art Gallery was created in conjunction with the University of Rochester so that it would function within a scholarly milieu, yet at the same time perform service as a community museum. From its conception it has been an ardent advocate for American art, which so many counterpart institutions snubbed untilat least the 1930s, and more often until w...
Voices in the Gallery
The forty writers in this book, all prominent poets and novelists, were asked to select a work of art from the University of Rochester's Memorial Art Gallery and respond to it with a poem, short story or essay. The writers include Poet Laureates, Pulitzer Prize and National Book Award winners, New York State Poets and MacArthur Fellows. Their works range from the gritty "hour of charcoal and amber" in Kate Braverman's response to Douglas Gorsline's 1942 painting Bar Scene, to a delightful short story by Tom Gavin based upon Winslow Homer's magnificent painting The Artist's Studio in an Afternoon Fog. A notable group of nineteenth-century American landscape paintings caught the attention of a...
Museum Service
None
AngloModern
Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum w...
