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Concubines and Courtesans contains sixteen essays on enslaved and freed women across medieval and pre-modern Islamic social history. The essays consider questions of slavery, gender, social networking, cultural production, sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time.
Tree of Pearls is a vivid exploration of the life of a singular woman who rose from slavery to become sultan of Egypt in the 13th century. Her achievements were the ending the Seventh Crusade, the inauguration of the Mamluk dynasty, and the building of innovative works of architecture that left an enduring mark on Cairo.
Unfree Lives illuminates Yemen’s forgotten history of slavery, as well as the transregional dimensions of slave trading in the Red Sea and wider Indian Ocean world. By analyzing Arabic narrative and administrative sources, Magdalena Moorthy Kloss reconstructs the lives of women and men who were trafficked to Yemen as children and then placed in various subaltern positions — from domestic servant to royal concubine, from quarryman to army commander. In this first in-depth study of unfree lives in Yemen, Moorthy Kloss argues that slaves and former slaves made significant contributions to social, economic and political processes in the medieval period. She highlights the gendered nature of slavery through a nuanced examination of the social identities of eunuchs and concubines. Unfree Lives also includes detailed information on slave trading between the Horn of Africa and Yemen in the 13th century, as well as an account of the little-known Najahid dynasty that was founded by Ethiopian slaves.
Women's networks – their relations with other women, men, objects and place – were a source of power in various European and neighbouring regions throughout the Middle Ages. This interdisciplinary volume considers how women's networks, and particularly women's direct and indirect relationships to other women, constituted and shaped power from roughly 300 to 1700 AD. The essays in this collection juxtapose scholarship from the fields of archaeology, art history, literature, history and religious studies, drawing on a wide variety of source types. Their aim is to highlight not only the importance of networks in understanding medieval women's power but also the different ways these networks are represented in medieval sources and can be approached today. This volume reveals how women's networks were widespread and instrumental in shaping political, familial and spiritual legacies.
At a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms. The book draws together contributions by a wide range of active scholar...
Johann "Peter" Ruth was born ca. 1700 at Steinberg, Germany, the son of Johann Melchior and Maria Catharina Trein Ruth. Anna "Sophia" Lauer was born in 1703 at Hierstein, Germany, the daughter was Hans "Claus" and Maria "Margaretha" Wentz Lauer. Peter Ruth and Sophia Lauer were married in 1724 at Wolfersweiler, Germany. They had four sons, the first three born 1724-1728 at Walhausen, Germany. The family immigrated to America in 1733 and probably settled first in the Myerstown or Stouchsburg area of Berks County, Pennsylvania. After Sophia's death, he married 2) Catharin Mayer Meyer. They had ten children. He died in 1771 in Cumru Township, Berks County, Pennsylvania. Descendants of his oldest three sons lived in Pennsylvania, Illinois, and elsewhere.
The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.
Stories related to gendered social relations permeate the Qur'an, and nearly three hundred verses involve specific women or girls. These stories weave together theology and ethics to reinforce central Qur'anic ideas regarding submission to God and moral accountability. Women and Gender in the Qur'an outlines how women and girls - old, young, barren, fertile, chaste, profligate, reproachable, and saintly-enter Qur'anic sacred history and advance the Qur'an's overarching didactic aims.
Bestsellers and masterpieces: The changing medieval canon addresses the strange fact that, in both European and Middle Eastern medieval studies, those texts that we now study and teach as the most canonical representations of their era were in fact not popular or even widely read in their day. On the other hand, those texts that were popular, as evidenced by the extant manuscript record, are taught and studied with far less frequency. The book provides cross-cultural insight into both the literary tastes of the medieval period and the literary and political forces behind the creation of the ‘modern canon’ of medieval literature.