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Nikki calls her brother. He tells her NM is having wildfires and he has to evacuate with his family, his test hedgehogs, mice, and equipment to another location. He lives in the Taos Valley with his wife, who suffers from sleepwalking, and his one year old daughter. She suggests that she and Eduardo can help in the evacuation. After all, they have a bit of vacation due them.Andy (Andres) researches the sleep of mice, hedgehogs, and the hibernation of bears and hedgehogs. He has a grant from -----.His closest friend, Marco, left Mexico many years ago and came into the US illegally. He worked first as an uneducated gardener and now raises mules for sale which he also exports to Europe.Marco ha...
This collection examines the nerd and/or geek stereotype in popular culture today. Utilizing the media—film, TV, YouTube, Twitter, fiction—that often defines daily lives, the contributors interrogate what it means to be labeled a “nerd” or “geek.” While the nerd/geek that is so easily recognized now is assuredly a twenty-first century construct, an examination of the terms’ history brings a greater understanding of their evolution. From sports to slasher films, Age of the Geek establishes a dialogue with texts as varied as the depictions of “nerd” or “geek” stereotypes.
This book delves into humanity’s compulsive need to valorize criminals. The criminal hero is a seductive figure, and audiences get a rather scopophilic pleasure in watching people behave badly. This book offers an analysis of the varied and vexing definitions of hero, criminal, and criminal heroes both historically and culturally. This book also examines the global presence, gendered complications, and gentle juxtapositions in criminal hero figures such as: Robin Hood, Breaking Bad, American Gods, American Vandal, Kabir, Plunkett and Macleane, Martha Stewart, Mary Read, Anne Bonny, Ocean’s 11, Ocean’s Eleven, and Let The Bullets Fly.
Covers receipts and expenditures of appropriations and other funds.
How superhero narratives in the margins of the mainstream tell innovative, feminist stories. It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Sam Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, whi...
Handsome Colombian men and life-threatening danger were not normally a part of Nikki's auditing job, but this assignment was anything but normal. Despite her emotional wounds, she accepts the challenge as a way to overcome the loss of her young son in a tragic event. In the midst of the male-dominated business world in Colombia, she investigates mismanagement allegations and uncovers a sinister plot involving fraud . . . and possibly murder. She also discovers an attractive man who seems to have feelings for her. As her relationship with him grows deeper, so does the level of danger she finds herself in. When the guns come out, Nikki realizes it will be up to her to find a way to survive . . . but is she up to the task?
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This book delves into humanity’s compulsive need to valorize criminals. The criminal hero is a seductive figure, and audiences get a rather scopophilic pleasure in watching people behave badly. This book offers an analysis of the varied and vexing definitions of hero, criminal, and criminal heroes both historically and culturally. This book also examines the global presence, gendered complications, and gentle juxtapositions in criminal hero figures such as: Robin Hood, Breaking Bad, American Gods, American Vandal, Kabir, Plunkett and Macleane, Martha Stewart, Mary Read, Anne Bonny, Ocean’s 11, Ocean’s Eleven, and Let The Bullets Fly.