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The plays, theme or focus of this volume includes: Henry VIIIJealousyKing LearThe Tempest
This volume is intended as a critique of anthropology’s epistemological and ontological assumptions and a demonstration of the value added by an expanded set of parameters for the field. The book’s core argument is that whilst ethnographers have allowed their own perspectives to be positively influenced by the perspectives of their informants, until recently anthropology has done little in the way of adopting these other viewpoints as critical tools for analysis. The book is essential reading for scholars of the anthropology of religion as well as other philosophically-oriented social scientists and theologians.
Each volume profiles about six to eight novelists, poets, playwrights, short story writers, and other creative and nonfiction writers who are currently active or who died after Dec. 31, 1999. A biographical and critical introduction to each author prefaces a collection of reprinted critical essays and reviews. A cumulative title index to the entire series is available separately (included in subscription).
The Holy Spirit, as God's abiding presence to draw people to Christ, can cleanse wounds and bring love and hope into our hearts. Kerry Dearborn's insightful focus on the Holy Spirit transforming our moral imagination and putting us on the path of reconciliation with Jesus Christ is both profound and encouraging. Biblical analysis, historical surveys and references to acclaimed theological authors support Dearborn's nuanced yet practical application of imagination as a tool for awakening, recovery, and dissolving intellectual or psychological barriers that isolate us from God. She considers effectively how imagination can be connected to reality, and is able to delve deep into this vein of thought with startling clarity. Drinking from the Wells of New Creation provides spiritual guidance for dealing with oppression in society; an issue that affects people both within and outside the Christian faith. The acknowledgement of reconciliation as a creative process provides a fresh outlook and will excite those delving into both theological and psychological studies, as well as those seeking to understand God's unification of life, regardless of tribe, tongue and nation.
1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.
Covers world authors from many periods and genres, building an understanding of the various contexts -- from the biographical to the literary to the historical -- in which literature can be viewed. Identifies the significant literary devices and global themes that define a writer's style and place the author in a larger literary tradition as chronicled and evaluated by critics over time.
This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.
Engaging approaches to the vast output of South Carolina's premier man of letters William Gilmore Simms was the best known and certainly the most accomplished writer of the mid-nineteenth-century South. His literary ascent began early, with his first book being published when he was nineteen years old and his reputation as a literary genius secured before he turned thirty. Over a career that spanned nearly forty-five years, he established himself as the American South's premier man of letters—an accomplished poet, novelist, short fiction writer, essayist, historian, dramatist, cultural journalist, biographer, and editor. In Reading William Gilmore Simms, Todd Hagstette has created an antho...
From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.